Description
Book SynopsisIn 1454 the Sienese painter Francesco di Bartolomeo Alfei faced litigation from the
Mercanzia in Siena for defaulting on a contract from one of the leading Franciscan confraternities in the city. Two fellow Sienese artists, Giovanni di Paolo and Sano di Pietro, had recently completed a new altarpiece for the same entity. Anabel Thomas considers how the two commissions were linked and questions why Francesco di Bartolomeo Alfei’s brief to fresco the confraternity chapel remained unfinished.
In a wide ranging analysis of mainly unpublished records, focussing on the artist’s association with key members of Sienese society, fellow artisans and government officials, Thomas concludes that Francesco di Bartolomeo Alfei might have honoured his contract had he not become immersed in the military strategy, diplomacy and visual propaganda of the Republic of Siena.
Table of ContentsPreface
Structure of the book
Illustrations
Introduction
PART ONE – Art and Diplomacy
Chapter One: The Politics of Journeyman Painting
Chapter Two: The Diplomat Leonardo Benvoglienti and his friend, the Painter Francesco di Bartolomeo Alfei
PART TWO – Francesco di Bartolomeo Alfei: Conflicting Career Options
Chapter One: Workshop Training and Neighbourhood Networking
Chapter Two: Military Action in Defence of Siena’s Southern Territories
PART THREE – Giovanni di Paolo, Sano di Pietro and Francesco di Bartolomeo Alfei and the ‘chompangnia e fraternita di san franciescho posta nel chonvento di san franciescho’
Chapter One: The Fraternity
Chapter Two: A New Altarpiece
Chapter Three: Fresco Work in the Company Chapel
PART FOUR – Francesco di Bartolomeo Alfei, ‘Trusted Servant’ Inside and Outside the Walls of Siena
Chapter One: Arbitrator and Scribe for the Trecerchi
Chapter Two: Martinozzi Patronage
Chapter Three: Government sponsored work inside Siena and official postings in Montalcino, the Val di Chiana and Vergelle
PART FIVE – The Ponte d’Arbia Project – Preserving the ‘honour’ of Siena
Conclusion
