Description

Book Synopsis
This anthology provides a single-volume overview of the essential theoretical debates in the anthropology of art. Drawing together significant work in the field from the second half of the twentieth century, it enables readers to appreciate the art of different cultures at different times.

  • Advances a cross-cultural concept of art that moves beyond traditional distinctions between Western and non-Western art.
  • Provides the basis for the appreciation of art of different cultures and times.
  • Enhances readers' appreciation of the aesthetics of art and of the important role it plays in human society.


Trade Review
The Anthropology of Art is a superb compilation that enables both scholar and student to have in one volume the major studies and debates in this discipline. In the insightful introduction, the editors survey the history of the field and tackle the vexing problem of defining art in cross-cultural perspective.”
Ivan Karp, Emory University


“An excellent, near-perfect book that demonstrates the centrality of the anthropology of art in both anthropology and art history debates. The essential reader for anyone who wants a broad, stimulating introduction to the field.”
Jeremy MacClancy, Oxford Brookes University“Addresses significant debates … .Seems[s] to provide an understanding of the often subtle but underlying discourse on contemporary African art.” H-Net Reviews

"A unique and timely manual that serves to connect the student with the creative impulse of man."
The Electric Review



Table of Contents

Acknowledgments viii

About the Editors x

The Anthropology of Art: A Reflection on its History and Contemporary Practice 1
Howard Morphy and Morgan Perkins

Part I Foundations and Framing the Discipline 33

1 Primitive Art 39
Franz Boas

2 Split Representation in the Art of Asia and America 56
Claude Le´vi-Strauss

3 Introduction to Tribes and Forms in African Art 74
William Fagg

4 Style, Grace, and Information in Primitive Art 78
Gregory Bateson

5 Tikopia Art and Society 91
Raymond Firth

6 The Abelam Artist 109
Anthony Forge

Part II Primitivism, Art, and Artifacts 123

7 Modernist Primitivism: An Introduction 129
William Rubin

8 Defective Affinities: ‘‘Primitivism’’ in 20th Century Art 147
Arthur C. Danto

9 Histories of the Tribal and the Modern 150
James Clifford

10 A Case in Point and Afterwords to Primitive Art in Civilized Places 167
Sally Price

11 Oriental Antiquities/Far Eastern Art 186
Craig Clunas

12 Introduction to Art/Artifact: African Art in Anthropology Collections 209
Susan Vogel

13 Vogel’s Net: Traps as Artworks and Artworks as Traps 219
Alfred Gell

Part III Aesthetics across Cultures 237

14 Yoruba Artistic Criticism 242
Robert Farris Thompson

15 Style in Technology: Some Early Thoughts 270
Heather Lechtman

16 ‘‘Marvels of Everyday Vision’’: The Anthropology of Aesthetics and the Cattle-keeping Nilotes 281
Jeremy Coote

17 From Dull to Brilliant: The Aesthetics of Spiritual Power Among the Yolngu 302
Howard Morphy

Part IV Form, Style, and Meaning 321

18 Visual Categories: An Approach to the Study of Representational Systems 326
Nancy D. Munn

19 Structural Patterning in Kwakiutl Art and Ritual 339
Abraham Rosman and Paula G. Rubel

20 Sacred Art and Spiritual Power: An Analysis of Tlingit Shamans’ Masks 358
Aldona Jonaitis

21 All Things Made 374
David M. Guss

22 Modernity and the ‘‘Graphicalization’’ of Meaning: New Guinea Highland Shield Design in Historical Perspective 387
Michael O’Hanlon

Part V Marketing Culture 407

23 Arts of the Fourth World 412
Nelson H. H. Graburn

24 The Collecting and Display of Souvenir Arts: Authenticity and the ‘‘Strictly Commercial’’ 431
Ruth B. Phillips

25 The Art of the Trade: On the Creation of Value and Authenticity in the African Art Market 454
Christopher B. Steiner

Part VI Contemporary Artists 467

26 A Second Reflection: Presence and Opposition in Contemporary Maori Art 472
Nicholas Thomas

27 Representing Culture: The Production of Discourse(s) for Aboriginal Acrylic Paintings 495
Fred Myers

28 Aesthetics and Iconography: An Artist’s Approach 513
Gordon Bennett

29 Kinds of Knowing 520
Charlotte Townsend-Gault

30 Cew Ete Haw I Tih: The Bird That Carries Language Back to Another 544
Jolene Rickard

Index 549

The Anthropology of Art

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    A Paperback / softback by Howard Morphy, Morgan Perkins

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      Publisher: John Wiley and Sons Ltd
      Publication Date: 22/12/2005
      ISBN13: 9781405105620, 978-1405105620
      ISBN10: 1405105623

      Description

      Book Synopsis
      This anthology provides a single-volume overview of the essential theoretical debates in the anthropology of art. Drawing together significant work in the field from the second half of the twentieth century, it enables readers to appreciate the art of different cultures at different times.

      • Advances a cross-cultural concept of art that moves beyond traditional distinctions between Western and non-Western art.
      • Provides the basis for the appreciation of art of different cultures and times.
      • Enhances readers' appreciation of the aesthetics of art and of the important role it plays in human society.


      Trade Review
      The Anthropology of Art is a superb compilation that enables both scholar and student to have in one volume the major studies and debates in this discipline. In the insightful introduction, the editors survey the history of the field and tackle the vexing problem of defining art in cross-cultural perspective.”
      Ivan Karp, Emory University


      “An excellent, near-perfect book that demonstrates the centrality of the anthropology of art in both anthropology and art history debates. The essential reader for anyone who wants a broad, stimulating introduction to the field.”
      Jeremy MacClancy, Oxford Brookes University“Addresses significant debates … .Seems[s] to provide an understanding of the often subtle but underlying discourse on contemporary African art.” H-Net Reviews

      "A unique and timely manual that serves to connect the student with the creative impulse of man."
      The Electric Review



      Table of Contents

      Acknowledgments viii

      About the Editors x

      The Anthropology of Art: A Reflection on its History and Contemporary Practice 1
      Howard Morphy and Morgan Perkins

      Part I Foundations and Framing the Discipline 33

      1 Primitive Art 39
      Franz Boas

      2 Split Representation in the Art of Asia and America 56
      Claude Le´vi-Strauss

      3 Introduction to Tribes and Forms in African Art 74
      William Fagg

      4 Style, Grace, and Information in Primitive Art 78
      Gregory Bateson

      5 Tikopia Art and Society 91
      Raymond Firth

      6 The Abelam Artist 109
      Anthony Forge

      Part II Primitivism, Art, and Artifacts 123

      7 Modernist Primitivism: An Introduction 129
      William Rubin

      8 Defective Affinities: ‘‘Primitivism’’ in 20th Century Art 147
      Arthur C. Danto

      9 Histories of the Tribal and the Modern 150
      James Clifford

      10 A Case in Point and Afterwords to Primitive Art in Civilized Places 167
      Sally Price

      11 Oriental Antiquities/Far Eastern Art 186
      Craig Clunas

      12 Introduction to Art/Artifact: African Art in Anthropology Collections 209
      Susan Vogel

      13 Vogel’s Net: Traps as Artworks and Artworks as Traps 219
      Alfred Gell

      Part III Aesthetics across Cultures 237

      14 Yoruba Artistic Criticism 242
      Robert Farris Thompson

      15 Style in Technology: Some Early Thoughts 270
      Heather Lechtman

      16 ‘‘Marvels of Everyday Vision’’: The Anthropology of Aesthetics and the Cattle-keeping Nilotes 281
      Jeremy Coote

      17 From Dull to Brilliant: The Aesthetics of Spiritual Power Among the Yolngu 302
      Howard Morphy

      Part IV Form, Style, and Meaning 321

      18 Visual Categories: An Approach to the Study of Representational Systems 326
      Nancy D. Munn

      19 Structural Patterning in Kwakiutl Art and Ritual 339
      Abraham Rosman and Paula G. Rubel

      20 Sacred Art and Spiritual Power: An Analysis of Tlingit Shamans’ Masks 358
      Aldona Jonaitis

      21 All Things Made 374
      David M. Guss

      22 Modernity and the ‘‘Graphicalization’’ of Meaning: New Guinea Highland Shield Design in Historical Perspective 387
      Michael O’Hanlon

      Part V Marketing Culture 407

      23 Arts of the Fourth World 412
      Nelson H. H. Graburn

      24 The Collecting and Display of Souvenir Arts: Authenticity and the ‘‘Strictly Commercial’’ 431
      Ruth B. Phillips

      25 The Art of the Trade: On the Creation of Value and Authenticity in the African Art Market 454
      Christopher B. Steiner

      Part VI Contemporary Artists 467

      26 A Second Reflection: Presence and Opposition in Contemporary Maori Art 472
      Nicholas Thomas

      27 Representing Culture: The Production of Discourse(s) for Aboriginal Acrylic Paintings 495
      Fred Myers

      28 Aesthetics and Iconography: An Artist’s Approach 513
      Gordon Bennett

      29 Kinds of Knowing 520
      Charlotte Townsend-Gault

      30 Cew Ete Haw I Tih: The Bird That Carries Language Back to Another 544
      Jolene Rickard

      Index 549

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