Description

Book Synopsis

DIRECTING, DIALOGUE AND ACTING
From Richard Williams' The Animator's Survival Kit comes key chapters in mini form.
The Animator's Survival Kit is the essential tool for animators. However, sometimes you don't want to carry the hefty expanded edition around with you to your college or studio if you're working on just one aspect of it that day.
The Animation Minis take some of the most essential chapters and make them available in smaller, lightweight, hand-bag/backpack size versions. Easy to carry. Easy to study.
This Mini focuses on Directing, Dialogue and Acting.
As a director, whatever your idea is, you want to put it over, so the main thing with directing is to be clear very clear. The Director's job is to hold everything together so that the animator can give the performance. Richard Williams shows how that performance can be achieved with flexibility and contrast. With Acting and Dialogue, the temptation is to try to do everything at once Williams' advice: do one thing at a time.

The Animators Survival Kit Dialogue Directing

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    Order before 4pm today for delivery by Mon 15 Jun 2026.

    A Paperback / softback by Richard E. Williams

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      View other formats and editions of The Animators Survival Kit Dialogue Directing by Richard E. Williams

      Publisher: Faber & Faber
      Publication Date: 05/08/2021
      ISBN13: 9780571358441, 978-0571358441
      ISBN10: 0571358446

      Description

      Book Synopsis

      DIRECTING, DIALOGUE AND ACTING
      From Richard Williams' The Animator's Survival Kit comes key chapters in mini form.
      The Animator's Survival Kit is the essential tool for animators. However, sometimes you don't want to carry the hefty expanded edition around with you to your college or studio if you're working on just one aspect of it that day.
      The Animation Minis take some of the most essential chapters and make them available in smaller, lightweight, hand-bag/backpack size versions. Easy to carry. Easy to study.
      This Mini focuses on Directing, Dialogue and Acting.
      As a director, whatever your idea is, you want to put it over, so the main thing with directing is to be clear very clear. The Director's job is to hold everything together so that the animator can give the performance. Richard Williams shows how that performance can be achieved with flexibility and contrast. With Acting and Dialogue, the temptation is to try to do everything at once Williams' advice: do one thing at a time.

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