Description

Book Synopsis
Clothes take the ordinary human body and fashion it into something remarkable. Born to the same anatomical legacy, each generation has used garments to shape itself in the image of its own particular desires. Taking different body parts in turn, The Anatomy of Fashion invites us to view ourselves as we have been in the past. Arguing that analysis needs to aspire to the proliferation and playfulness of fashion itself, the chapters both explore a different aesthetic and examine its wider, and often surprising, implications. In countless different ways, fashion is caught up in the larger picture of its chronological moment. Whether in the mechanisms of production, the politics of consumption, the construction of sexuality or gender, or the formation and reformation of manners and morals, fashion is there. In its provocative conclusion The Anatomy of Fashion turns its attention to dress practices today. Reassembling the anatomical parts, the text places the contemporary body in the historical view and reveals the strangeness that lies at the heart of our own normality.

Trade Review
It is always a delight to discover a non-fiction writer who can write about history with both intelligence and levity. Although this book is well suited as a textbook, it is an engaging and thoughtful read for even seasoned fashion veterans. Ingrid Mida, Fashion is my Muse

Table of Contents
Abbreviations Prologue: Approaching the past 1. Head and neck 2. Breasts and waist 3. Hips and bottom 4. Genitals and legs 5. Skin Epilogue: Fashioning the body today

The Anatomy of Fashion: Dressing the Body from the Renaissance to Today

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    A Paperback by Susan J. Vincent

    15 in stock

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      View other formats and editions of The Anatomy of Fashion: Dressing the Body from the Renaissance to Today by Susan J. Vincent

      Publisher: Bloomsbury Publishing PLC
      Publication Date: 01/11/2009
      ISBN13: 9781845207649, 978-1845207649
      ISBN10: 1845207645

      Description

      Book Synopsis
      Clothes take the ordinary human body and fashion it into something remarkable. Born to the same anatomical legacy, each generation has used garments to shape itself in the image of its own particular desires. Taking different body parts in turn, The Anatomy of Fashion invites us to view ourselves as we have been in the past. Arguing that analysis needs to aspire to the proliferation and playfulness of fashion itself, the chapters both explore a different aesthetic and examine its wider, and often surprising, implications. In countless different ways, fashion is caught up in the larger picture of its chronological moment. Whether in the mechanisms of production, the politics of consumption, the construction of sexuality or gender, or the formation and reformation of manners and morals, fashion is there. In its provocative conclusion The Anatomy of Fashion turns its attention to dress practices today. Reassembling the anatomical parts, the text places the contemporary body in the historical view and reveals the strangeness that lies at the heart of our own normality.

      Trade Review
      It is always a delight to discover a non-fiction writer who can write about history with both intelligence and levity. Although this book is well suited as a textbook, it is an engaging and thoughtful read for even seasoned fashion veterans. Ingrid Mida, Fashion is my Muse

      Table of Contents
      Abbreviations Prologue: Approaching the past 1. Head and neck 2. Breasts and waist 3. Hips and bottom 4. Genitals and legs 5. Skin Epilogue: Fashioning the body today

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