Description
Book SynopsisDuring the 1910s, films about war often featured a female protagonist. The films portrayed women as spies, cross-dressing soldiers, and athletic defenders of their homes—roles typically reserved for men and that contradicted gendered-expectations of home-front women waiting for their husbands, sons, and brothers to return from battle. The representation of American martial spirit—particularly in the form of heroines—has a rich history in film in the years just prior to the American entry into World War I.
The American Girl Goes to War demonstrates the predominance of heroic female characters in in early narrative films about war from 1908 to 1919. American Girls were filled with the military spirit of their forefathers and became one of the major ways that American women’s changing political involvement, independence, and active natures were contained by and subsumed into pre-existing American ideologies.
Trade Review“Documenting the many heroic women who populated war films of this era, Liz Clarke shows the strength and vitality of female characters onscreen, while remaining attentive to the key role that white femininity played in narratives of American national identity during this period. Framing her analysis within a rich cultural context, Clarke show how essential cinema was to evolving ideas about both nationhood and femininity in the first decades of the twentieth century.” -- Shelley Stamp * author of Movie-Struck Girls and Lois Weber in Early Hollywood *
"Brock prof’s new book explores women, war and silent film," by Amanda Bishop * The Brock News *
"This exciting, well-researched work crosses multidisciplinary boundaries and will be of value to those interested in cinema, gender studies, propaganda, history, and political science. Recommended for academic libraries." * Library Journal *
New Books Network: New Books in Women's History interview with Liz Clarke * New Books Network: New Books in Women's History *
“Documenting the many heroic women who populated war films of this era, Liz Clarke shows the strength and vitality of female characters onscreen, while remaining attentive to the key role that white femininity played in narratives of American national identity during this period. Framing her analysis within a rich cultural context, Clarke show how essential cinema was to evolving ideas about both nationhood and femininity in the first decades of the twentieth century.” -- Shelley Stamp * author of Movie-Struck Girls and Lois Weber in Early Hollywood *
"Brock prof’s new book explores women, war and silent film," by Amanda Bishop * The Brock News *
"This exciting, well-researched work crosses multidisciplinary boundaries and will be of value to those interested in cinema, gender studies, propaganda, history, and political science. Recommended for academic libraries." * Library Journal *
New Books Network: New Books in Women's History interview with Liz Clarke * New Books Network: New Books in Women's History *
Table of ContentsList of Illustrations
Introduction
1 American Girls and National Identity
2 Fighting Femininity on Home Soil in Civil War Films, 1908–1916
3 The American Revolution and Other Wars
4 Featuring Preparedness and Peace: America and the European War, Part I
5 From Serial Queens to Patriotic Heroines: America and the European War, Part II
6 The American Girl and Wartime Patriotism
Conclusion
Appendix 1: Civil War Films, 1908–1916
Appendix 2: World War I Films, 1914–1919
Additional Filmography
Acknowledgments
Notes
Selected Bibliography
Index
