Description
Book SynopsisSound transformed British life in the age of noise between 1914 and 1945. The sonic maelstrom of mechanized society bred anger and anxiety and even led observers to forecast the end of civilization. The noise was, as James G. Mansell shows, modernity itself, expressed in aural form, with immense implications for the construction of the self. Tracing the ideas, feelings, and representations prompted by life in early twentieth century Britain, Mansell examines how and why sound shaped the self. He works at the crux of cultural and intellectual history, analyzing the meanings that were attached to different types of sound, who created these typologies and why, and how these meanings connected to debates about modernity. From traffic noise to air raids, everyday sounds elicited new ways of thinking about being modern. Each individual negotiated his or her own subjective meanings through hopes or fears for sound. As Mansell considers the different ways Britons heard their world, he reveals
Trade Review"In this intriguing study, James Mansell engages with interactions between noise, modernity, and the construction of the self in interwar Britain. . . . It is an exemplary piece of work." --
Technology and Culture "James Mansell's remarkably clear, wonderfully detailed, even occasionally droll examination of the sensing self in industrial modernity makes a substantial, important contribution to historical sound studies and British studies."--John M. Picker, author of
Victorian Soundscapes "In sum, Mansell's work successfully unlocks the sensory world of the past and demonstrates how one might decode the meanings of sound for those who experienced it."--
Fides et HistoriaTable of ContentsCoverTitleCopyrightContentsAcknowledgmentsIntroduction1. Modernity as Crisis: Noise and “Nerves”2. Re-Enchanting Modernity: Techniques of Magical Sound3. Creating the Sonically Rational: Modern Interventions in Everyday Aurality4. National Acoustics: Total Listening in the Second World WarConclusionNotesIndex
