Description
Book SynopsisThis volume builds on two recent developments in philosophy on the relationship between art and science: the notion of representation and the role of values in theory choice and the development of scientific theories. Its aim is to address questions regarding scientific creativity and imagination, the status of scientific performancessuch as thought experiments and visual aidsand the role of aesthetic considerations in the context of discovery and justification of scientific theories.
Several contributions focus on the concept of beauty as employed by practising scientists, the aesthetic factors at play in science and their role in decision making. Other essays address the question of scientific creativity and how aesthetic judgment resolves the problem of theory choice by employing aesthetic criteria and incorporating insights from both objectivism and subjectivism. The volume also features original perspectives on the role of the sublime in science and sheds light on the emp
Trade Review
"The papers are quite consistent and follow a nice structure. Even if you are working on more technical issues in the philosophy of science, it would nice to read some of these papers to have a new and enlightening look on how our understanding of the actual work of science might be extended." - Adam Tamsa Tuboly, Hungarian Academy of Sciences
Table of Contents
1. Introduction
Milena Ivanova and Steven French
2. Epistemic Gatekeepers: The Role of Aesthetic Factors in Science
Catherine Elgin
3. Getting the Picture: Towards a New Account of Scientific Understanding
Letitia Meynell
4. Imagination, Aesthetic Feelings, and Scientific Reasoning
Cain Todd
5. Beauty, Truth and Understanding
Milena Ivanova
6. A Plea for the Sublime in Science
Margherita Arcangeli and Jérome Dokic
7. How Can Loveliness be a Guide to Truth? Inference to the Best Explanation and Exemplars
Alexander Bird
8. The Aesthetic and Literary Qualities of Scientific Thought Experiments
Alice Murphy
9. Epistemic Radicals and The Vice of Arrogance as a Counterfeit to the Virtue of Assured Epistemic Ambition
Matthew Kieran
10. Performance and Practice: Situating the Aesthetic Qualities of Theories
Steven French
