Description

Book Synopsis
The Aesthetics of Desire and Surprise: Phenomenology and Speculation covers issues central to contemporary continental philosophy (desire, expectations, excess, rupture, transcendence, immanence, surprise). The proposed term desiresurprise captures the phenomenological-speculative character of the pair not yet and no longer. Non-obvious parallels between different thinkers are drawn, and the argumentation is organized around philosophical figures relevant in the sequence desire excess pause (rupture, break) recuperation (surprise). The works of Levinas, Žižek, Bataille, Blanchot, Foucault, and Ricoeur are interpreted and positioned according to the proposed template of desire - excess - pause. The consideration of limit experiences involves authors fascinated by transgression, and the question of whether excess is immanent or transcendent. This discussion considers works by Nietzsche, Deleuze, Žižek, and Foucault. The analysis of surprise and the beginning of recovery after the pause

Trade Review
Jarred by endless war and jaded by decades of ‘culture industry’, one might think of surprise as a quaintly exotic or even extinct experience. Yet in proving the irrepressible character of what she calls ‘the desire for the unexpected’ and its intrinsic tie to the ‘Aha!’ experience, Jadranka Skorin-Kapov rekindles hope in a seemingly hopeless world. -- Robert Harvey, Stony Brook University
The arguments, analyses, and insights presented in The Aesthetics of Desire and Surprise are new and important. The strongest features of the work are its originality and thoroughness. Many works refer to surprise as a component of some other analysis, but no other work that I know of is devoted exclusively to the phenomenology of surprise. Surprise is an underappreciated category of the aesthetic that gets its due in this work -- Richard Gilmore, Concordia College

Table of Contents
Introduction Chapter 1: Desire and Excess Chapter 2: Limit Experiences, Difference, Repetition, and Singularity Chapter 3: Surprise Chapter 4: The Properly Aesthetic Experience and Knowledge Chapter 5: Desire||Surprise and the Irreducible in an Aesthetic Encounter Conclusion

The Aesthetics of Desire and Surprise

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    A Paperback by Jadranka Skorin-Kapov

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      Publisher: Lexington Books
      Publication Date: 1/28/2019 12:10:00 AM
      ISBN13: 9781498518482, 978-1498518482
      ISBN10: 1498518486

      Description

      Book Synopsis
      The Aesthetics of Desire and Surprise: Phenomenology and Speculation covers issues central to contemporary continental philosophy (desire, expectations, excess, rupture, transcendence, immanence, surprise). The proposed term desiresurprise captures the phenomenological-speculative character of the pair not yet and no longer. Non-obvious parallels between different thinkers are drawn, and the argumentation is organized around philosophical figures relevant in the sequence desire excess pause (rupture, break) recuperation (surprise). The works of Levinas, Žižek, Bataille, Blanchot, Foucault, and Ricoeur are interpreted and positioned according to the proposed template of desire - excess - pause. The consideration of limit experiences involves authors fascinated by transgression, and the question of whether excess is immanent or transcendent. This discussion considers works by Nietzsche, Deleuze, Žižek, and Foucault. The analysis of surprise and the beginning of recovery after the pause

      Trade Review
      Jarred by endless war and jaded by decades of ‘culture industry’, one might think of surprise as a quaintly exotic or even extinct experience. Yet in proving the irrepressible character of what she calls ‘the desire for the unexpected’ and its intrinsic tie to the ‘Aha!’ experience, Jadranka Skorin-Kapov rekindles hope in a seemingly hopeless world. -- Robert Harvey, Stony Brook University
      The arguments, analyses, and insights presented in The Aesthetics of Desire and Surprise are new and important. The strongest features of the work are its originality and thoroughness. Many works refer to surprise as a component of some other analysis, but no other work that I know of is devoted exclusively to the phenomenology of surprise. Surprise is an underappreciated category of the aesthetic that gets its due in this work -- Richard Gilmore, Concordia College

      Table of Contents
      Introduction Chapter 1: Desire and Excess Chapter 2: Limit Experiences, Difference, Repetition, and Singularity Chapter 3: Surprise Chapter 4: The Properly Aesthetic Experience and Knowledge Chapter 5: Desire||Surprise and the Irreducible in an Aesthetic Encounter Conclusion

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