Description

Book Synopsis

Giacinto Scelsi (1905-1988), an extraordinary, innovative, and often controversial moving force in modern music, has been the subject of a vast amount of literary criticism, philosophical discussions, and groundbreaking performances.

Originally in French, Scelsi’s writings have been included in anthologies of prose, poetry, and memoires published in French, Italian, and German. For the first time, this volume brings selected writings into English. His writings enlighten the creative process and facilitate further the understanding of his musical message. Franco Sciannameo and Alessandra Carlotta Pellegrini provide two introductory essays followed by Scelsi’s The Evolution of Harmony, The Evolution of Rhythm, Art and Satanism, Unity and Equalityof the Arts, Meaning of Music, Sound and Music, and Art and Knowledge—writings spanning from the early 1940s to February 1987. Additionally, the editors place Scelsi’s aesthetical writings within a densely contextualized historical, social, and cultural landscape to provide scholarly yet approachable critical information.

Iconographic plates, bibliography, discography, videography, websites and a comprehensive index complete the volume.



Table of Contents

00a List of Figures

00b Preface by Eric Drott

00c Introduction and Acknowledgments

PART ONE

01 Prologue

02 The Meaning of Music

03 The Evolution of Harmony

04 The Evolution of Rhythm

05 Art and Satanism

06 Unity and Equality of the Arts

07 Epilogue

PART TWO

08 Introduction

09 Sound and Music

10 Art and Knowledge

11 Conclusion

12 Bibliography

13 Discography

14 Index

15 Authors’ bios

The Aesthetical Writings of Giacinto Scelsi

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    A Hardback by Franco Sciannameo, Alessandra Carlotta Pellegrini

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      Publisher: Rowman & Littlefield
      Publication Date: 12/01/2023
      ISBN13: 9781538166819, 978-1538166819
      ISBN10: 153816681X

      Description

      Book Synopsis

      Giacinto Scelsi (1905-1988), an extraordinary, innovative, and often controversial moving force in modern music, has been the subject of a vast amount of literary criticism, philosophical discussions, and groundbreaking performances.

      Originally in French, Scelsi’s writings have been included in anthologies of prose, poetry, and memoires published in French, Italian, and German. For the first time, this volume brings selected writings into English. His writings enlighten the creative process and facilitate further the understanding of his musical message. Franco Sciannameo and Alessandra Carlotta Pellegrini provide two introductory essays followed by Scelsi’s The Evolution of Harmony, The Evolution of Rhythm, Art and Satanism, Unity and Equalityof the Arts, Meaning of Music, Sound and Music, and Art and Knowledge—writings spanning from the early 1940s to February 1987. Additionally, the editors place Scelsi’s aesthetical writings within a densely contextualized historical, social, and cultural landscape to provide scholarly yet approachable critical information.

      Iconographic plates, bibliography, discography, videography, websites and a comprehensive index complete the volume.



      Table of Contents

      00a List of Figures

      00b Preface by Eric Drott

      00c Introduction and Acknowledgments

      PART ONE

      01 Prologue

      02 The Meaning of Music

      03 The Evolution of Harmony

      04 The Evolution of Rhythm

      05 Art and Satanism

      06 Unity and Equality of the Arts

      07 Epilogue

      PART TWO

      08 Introduction

      09 Sound and Music

      10 Art and Knowledge

      11 Conclusion

      12 Bibliography

      13 Discography

      14 Index

      15 Authors’ bios

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