Description
Book SynopsisWalter Benjamin and Theodor W. Adorno are considered today to be the two most significant early theorists in founding critical theory. In their works and correspondence, both thinkers turn to art and the aesthetic as a vital way for understanding modern society and developing philosophical methods. This volume of original essays seeks to understand how they influenced each other and disagreed with each other on fundamental questions about art and the aesthetic. The books deals with a variety of key philosophical questions, such as: ·How does art involve distinctive modes of experience? ·What is the political significance of modern art? ·What does aesthetic experience teach us about the limitations of conceptual thought? ·How is aesthetic experience implicated in the very medium of thought, language? Ultimately the book presents a systematic argument for the foundational significance of the aesthetic in the development of the early critical theory movement.
Trade ReviewThe generative and troubled relationship between Walter Benjamin and Theodor Adorno decisively shaped early Critical Theory, giving rise to some of the most important concepts and issues in modern aesthetics and cultural studies. This insightful collection of essays sheds new light on their relationship – showing why their debates remain highly relevant for politically progressive thought and action. -- Lambert Zuidervaart, Professor of Philosophy, Institute for Christian Studies and University of Toronto
This collection of essays presents a comprehensive view on central topics in the fundamental role aesthetic theory and experience play in Adorno and Benjamin. The balance of Critical Theory ‘notorious’ scholars and some young voices in the field is refreshing and opens up to new readings. Insightful and informative, the volume offers a valuable discussion of Critical theory. -- Gertrud Koch, Department of Theatre Studies, Freie Universität Berlin
This outstanding collection is devoted to unlocking the essential connection between aesthetic experience and philosophical critique, as it is articulated in the tensions and overlooked continuities between Benjamin and Adorno. By going back to the roots of critical theory, the articles in this volume manage the very difficult task of finding original approaches to the state of critical theory today. -- María del Rosario Acosta López, Associate Professor of Philosophy, DePaul University
Table of ContentsAcknowledgments / Introduction: The Aesthetic Ground of Critical Theory, Nathan Ross / 1. Benjamin and Adorno on Art as Critical Practice, Georg W. Bertram / 2. The Benjaminian Moment in Adorno’s Aesthetic Theory: Spaciality and the Topos of the Bourgeois Intérieur, Marcia Morgan / 3. Adorno’s Critical Theory at the Crossroads of Hegel and Benjamin, Natalia Baeza / 4. The Jargon of Ontology and the Critique of Language: Benjamin, Adorno, and Philosophy’s Motherless Tongue, Eduardo Mendieta / 5. ‘The Polarity Informing Mimesis’: The Social Import of Mimesis in Benjamin and Adorno, Nathan Ross / 6. Walter Benjamin’s Critique of the Category of Aesthetic Form: ‘The Work of Art in the Age of its Technological Reproducibility’ from the Perspective of Benjamin’s Early Writing, Alison Ross / 7. Walter Benjamin and the “highly productive use of the human being’s self-alienation”, Stéphane Symons / 8. The Composer as Producer, Joseph Weiss / 9. The Aesthetic Experience of Shudder: Adorno and the Kantian Sublime, Surti Singh / 10. Ecological Experience: Aesthetics, Life, and the Shudder in Adorno’s Critical Theory, Rick Elmore / 11. ‘Enigmaticalness’ as a Fundamental Category in Adorno’s Aesthetic Theory, Andrea Sakoparnig / 12. Aesthetic Education, Human Capacity, Freedom, Tom Huhn / Bibliography / Index
