Description

Book Synopsis

This work examines the more than one hundred analogues of Samson Agonistes, about half of them written earlier than Milton's drama. The author has gone back in every instance to primary sources, and examined all treatments of Milton's theme, in all languages, for their intrinsic interest and merit. While he has not entirely omitted a discussion of source relationships, his concern here has been chiefly with analogues.

In Part I of the book the author compares five pre-Miltonic works, which he has translated, in whole or in part, from the original Latin, Dutch, and Italian. In Part II, a descriptive catalogue, he comments on the significance, to Miltonists and to the general reader, of the analogues. He traces the purposes beyond mere theatre in the different versions of the play: versions prior to 1670 contain many overtones of personal, national, or theological significance, while, after 1671, there is a rapid shift away from religious or moral presentation to a more

That Invincible Samson

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    A Paperback / softback by Watson Kirkconnell

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      Publisher: University of Toronto Press
      Publication Date: 15/12/1964
      ISBN13: 9781487592356, 978-1487592356
      ISBN10: 1487592353
      Also in:
      Literary studies: poetry and poets

      Description

      Book Synopsis

      This work examines the more than one hundred analogues of Samson Agonistes, about half of them written earlier than Milton's drama. The author has gone back in every instance to primary sources, and examined all treatments of Milton's theme, in all languages, for their intrinsic interest and merit. While he has not entirely omitted a discussion of source relationships, his concern here has been chiefly with analogues.

      In Part I of the book the author compares five pre-Miltonic works, which he has translated, in whole or in part, from the original Latin, Dutch, and Italian. In Part II, a descriptive catalogue, he comments on the significance, to Miltonists and to the general reader, of the analogues. He traces the purposes beyond mere theatre in the different versions of the play: versions prior to 1670 contain many overtones of personal, national, or theological significance, while, after 1671, there is a rapid shift away from religious or moral presentation to a more

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