Description

Book Synopsis
TEXTURES synthesises research in history, fashion, art, and visual culture to reassess the “hair story” of peoples of African descent. A fraught topic for African-Americans and others in the Diaspora, artists, barbers, and activists address the topic of Black hair,both the historical perceptions and its ramifications for self and society today.

TEXTURES explores the breadth of Black artists’ perspectives on hair vis-à-vis beauty, pride, and politics. Barbers and activists address Black hair, from historical perceptions to its challenges today. Combs, products, and implements from the collection of hair pioneer Willie Morrow are paired with masterworks from artists like David Hammons, Sonya Clark, Lorna Simpson, Mickalene Thomas, and Alison Saar. The exhibition & catalogue are inspired by Drs. Ellington and Underwood who research preferential treatment of straight hair, the social hierarchies of skin, and the power and politics of display.

Textures: The History and Art of Black Hair

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    A Hardback by Kent State University Museum, Tameka Ellington, Joseph L. Underwood

    2 in stock

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      Publisher: Hirmer Verlag
      Publication Date: 24/09/2020
      ISBN13: 9783777435541, 978-3777435541
      ISBN10: 3777435546
      Also in:
      Art & Photography Exhibition catalogues and specific collections Portraits and self-portraiture in the arts The arts: general topics

      Description

      Book Synopsis
      TEXTURES synthesises research in history, fashion, art, and visual culture to reassess the “hair story” of peoples of African descent. A fraught topic for African-Americans and others in the Diaspora, artists, barbers, and activists address the topic of Black hair,both the historical perceptions and its ramifications for self and society today.

      TEXTURES explores the breadth of Black artists’ perspectives on hair vis-à-vis beauty, pride, and politics. Barbers and activists address Black hair, from historical perceptions to its challenges today. Combs, products, and implements from the collection of hair pioneer Willie Morrow are paired with masterworks from artists like David Hammons, Sonya Clark, Lorna Simpson, Mickalene Thomas, and Alison Saar. The exhibition & catalogue are inspired by Drs. Ellington and Underwood who research preferential treatment of straight hair, the social hierarchies of skin, and the power and politics of display.

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