Description
Book SynopsisProposing a methodology that brings feminist theories of embodiment to bear on the Iranian literary and cinematic tradition, this study examines temporary marriage in Iran, not just as an institution but also as a set of practices, identities and meanings that have transformed over the course of the twentieth- and twenty-first centuries. Based on analysis of novels and short stories from the Pahlavi era, and cinematic works produced after the Islamic Revolution, Claudia Yaghoobi looks at the representation of the sigheh women, or those who entered into temporary marriages. Each work reflects the manner in which the practice of sigheh impacts women by calling into question how sexuality works as a form of political analysis and power, revealing how a sigheh woman''s sexual bodily autonomy is used as ammunition against what governments deem inappropriate gendered expression. While focusing mainly on modern Iranian cultural productions, Yaghoobi moves beyond the literary and cinematic rea
Trade Review'Yaghoobi's mastery over her source material is impressive, and the many ways in which she brings Persian realist fiction of the early and mid-twentieth century into meaningful dialogue with post-revolutionary cinema are admirable. This book will be essential reading for anyone interested in the social and political debates around gender and the female body in contemporary Iran.' Dominic Parviz Brookshaw, University of Oxford
'What distinguishes Claudia Yaghoobi's winning storytelling and her original contribution to our knowledge of women, sexuality and temporary marriage in Iran, is her skillful analysis and highly engaging interpretations of sigheh women's paradoxical role at the margin of society yet at the center of male fantasy.' Shahla Haeri, Boston University
Table of ContentsPrologue: sexpionage and the female body; Part I. General Overview: Introduction: body politics and sigheh marriages; 1. Sigheh marriages in modern Iran; Part II. Representation of Sigheh/Sex Work in the Literature of Pahlavi Era: 2. Gendered violence in Moshfeq-e Kazemi's Tehran-e Makhuf; 3. The volatile sigheh/sex workers' bodies in Jamalzadeh's Ma'sumeh Shirazi; 4. Colonized bodies in Al-e Ahmad's 'Jashn-e Farkhonde'; 5. The grotesque sigheh/sex workers' bodies in Golestan's 'Safar-e 'Esmat'; 6. Bodily inscriptions in Chubak's Sang-e Sabur; Part III. The Islamic Republic and Sigheh in Film Industry: 7. Whose body matters in Afkhami's Showkaran; 8. Embodiment, power, and politics in Farahbakhsh's Zendegi-ye Khosusi; Reclaiming the female body via writing.
