Description

Book Synopsis
Television before TV rethinks the history of interwar television by exploring the medium’s numerous demonstrations organized at national fairs and international exhibitions in the late 1920s and 1930s. Building upon extensive archival research in Britain, Germany, and the United States, Anne-Katrin Weber analyses the sites where the new medium met its first audiences. She argues that public displays offered spaces where television's symbolic, cultural, political, and social definitions were negotiated and eventually stabilized; for the historian, the exhibitions therefore constitute crucial events to understand not only the medium's pre-war emergence, but also its subsequent domestication in the post-war years. Designed as a transnational study, her book highlights the multiple circulations of artefacts and ideas across borders of democratic and totalitarian regimes alike. Richly illustrated with 100 photographs, Television before TV finally emphasizes that even without regular programmes, interwar television was widely seen.

Table of Contents
Acknowledgements
List of Illustrations
List of Abbreviations

Introduction: Interwar Television on Display
1. Television Display in Context
2. Spectacularizing Television, or Making Sense of Novelty
3. Locating Television Between Imaginaries and Materialities
Intermission I: Four Dispositifs of Interwar Television
4. Nationalizing Television in a Transnational Context
Intermission II: Travelling Exhibits
5. Domesticating Television Outside the Home
6. Gendering Television On and Off Screen
Intermission III: Similar Sets, Same TV?
Epilogue: Television Experiments, Past and Present

Full Bibliography
Index

Television before TV: New Media and Exhibition

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    A Hardback by Anne-Katrin Weber

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      Publisher: Amsterdam University Press
      Publication Date: Publication Date: 09/05/2022
      ISBN13: 9789463727815, 978-9463727815
      ISBN10: 9463727817

      Description

      Book Synopsis
      Television before TV rethinks the history of interwar television by exploring the medium’s numerous demonstrations organized at national fairs and international exhibitions in the late 1920s and 1930s. Building upon extensive archival research in Britain, Germany, and the United States, Anne-Katrin Weber analyses the sites where the new medium met its first audiences. She argues that public displays offered spaces where television's symbolic, cultural, political, and social definitions were negotiated and eventually stabilized; for the historian, the exhibitions therefore constitute crucial events to understand not only the medium's pre-war emergence, but also its subsequent domestication in the post-war years. Designed as a transnational study, her book highlights the multiple circulations of artefacts and ideas across borders of democratic and totalitarian regimes alike. Richly illustrated with 100 photographs, Television before TV finally emphasizes that even without regular programmes, interwar television was widely seen.

      Table of Contents
      Acknowledgements
      List of Illustrations
      List of Abbreviations

      Introduction: Interwar Television on Display
      1. Television Display in Context
      2. Spectacularizing Television, or Making Sense of Novelty
      3. Locating Television Between Imaginaries and Materialities
      Intermission I: Four Dispositifs of Interwar Television
      4. Nationalizing Television in a Transnational Context
      Intermission II: Travelling Exhibits
      5. Domesticating Television Outside the Home
      6. Gendering Television On and Off Screen
      Intermission III: Similar Sets, Same TV?
      Epilogue: Television Experiments, Past and Present

      Full Bibliography
      Index

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