Description

Teenagers and Teenpics tells the story of two signature developments in the 1950s: the decline of the classical Hollywood cinema and the emergence of that strange new creature, the American teenager. Hollywood's discovery of the teenage moviegoer initiated a progressive "juvenilization" of film content that is today the operative reality of the American motion picture industry. The juvenilization of the American movies is best revealed in the development of the 1950s "teenpic," a picture targeted at teenagers even to the exclusion of their elders. In a wry and readable style, Doherty defines and interprets the various teenpic film types: rock 'n' roll pictures, j.d. films, horror and sci-fi weirdies, and clean teenpics. Individual films are examined both in light of their impact on the motion picture industry and in terms of their important role in validating the emerging teenage subculture. Also included in this edition is an expanded treatment of teenpics since the 1950s, especially the teenpics produced during the age of AIDS. Author note: Thomas Doherty is Associate Professor of American Studies and Chair of the Film Studies Program at Brandeis University. He is the author of two previous books, including Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930-1934, which was a New York Times Notable Book for 1999.

Teenagers And Teenpics: Juvenilization Of American Movies

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Teenagers and Teenpics tells the story of two signature developments in the 1950s: the decline of the classical Hollywood cinema... Read more

    Publisher: Temple University Press,U.S.
    Publication Date: 17/05/2002
    ISBN13: 9781566399463, 978-1566399463
    ISBN10: 1566399467

    Number of Pages: 272

    Description

    Teenagers and Teenpics tells the story of two signature developments in the 1950s: the decline of the classical Hollywood cinema and the emergence of that strange new creature, the American teenager. Hollywood's discovery of the teenage moviegoer initiated a progressive "juvenilization" of film content that is today the operative reality of the American motion picture industry. The juvenilization of the American movies is best revealed in the development of the 1950s "teenpic," a picture targeted at teenagers even to the exclusion of their elders. In a wry and readable style, Doherty defines and interprets the various teenpic film types: rock 'n' roll pictures, j.d. films, horror and sci-fi weirdies, and clean teenpics. Individual films are examined both in light of their impact on the motion picture industry and in terms of their important role in validating the emerging teenage subculture. Also included in this edition is an expanded treatment of teenpics since the 1950s, especially the teenpics produced during the age of AIDS. Author note: Thomas Doherty is Associate Professor of American Studies and Chair of the Film Studies Program at Brandeis University. He is the author of two previous books, including Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930-1934, which was a New York Times Notable Book for 1999.

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