Description

Book Synopsis

Enhanced version of the seminal text on editing includes a new foreword, a new afterword, a revamped cover and layout, as well as a lower price!

The single most comprehensive and engaging volume on film editing. Reisz and Millar introduce readers to every aspect of the editor's craft, providing a concise history of editing and describing editing style as it applies to every genre of moviemaking, including many types of narrative and documentary films. The particular demands of wide-screen filmmaking, cinema verite, and the avant-garde are also covered.

Reisz and Millar's account of the differences between smooth and abrupt editing and their remarkable sense of editing for dramatic effect rather than for realism make this book essential for apprentice editors, as well as those who want to know how filmmakers understand their work.



Table of Contents

The history of editing * The practice of editng * Principles of editing * The fifties and sixties * Cutting room procedure * Glossary of terms

Technique of Film Editing Reissue of 2nd Edition

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    £47.49

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    RRP £49.99 – you save £2.50 (5%)

    Order before 4pm today for delivery by Mon 22 Jun 2026.

    A Paperback / softback by Karel Reisz, Gavin Millar

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      View other formats and editions of Technique of Film Editing Reissue of 2nd Edition by Karel Reisz

      Publisher: Taylor & Francis Ltd
      Publication Date: 29/09/2009
      ISBN13: 9780240521855, 978-0240521855
      ISBN10: 240521854

      Description

      Book Synopsis

      Enhanced version of the seminal text on editing includes a new foreword, a new afterword, a revamped cover and layout, as well as a lower price!

      The single most comprehensive and engaging volume on film editing. Reisz and Millar introduce readers to every aspect of the editor's craft, providing a concise history of editing and describing editing style as it applies to every genre of moviemaking, including many types of narrative and documentary films. The particular demands of wide-screen filmmaking, cinema verite, and the avant-garde are also covered.

      Reisz and Millar's account of the differences between smooth and abrupt editing and their remarkable sense of editing for dramatic effect rather than for realism make this book essential for apprentice editors, as well as those who want to know how filmmakers understand their work.



      Table of Contents

      The history of editing * The practice of editng * Principles of editing * The fifties and sixties * Cutting room procedure * Glossary of terms

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