Description
Book Synopsis From the postapocalyptic world of Blade Runner to theJames Cameron mega-hit Terminator, tech-noir has emerged as a distinct genre, with roots in both the Promethean myth and the earlier popular traditions of gothic, detective, and science fiction. In this new volume, many well-known film and literary works—including The Matrix, RoboCop, and Mary Shelley’s Frankenstein—are discussed with reference to their relationship to tech-noir and one another. Featuring an extensive, clearly indexed filmography, Tech-Noir Film will be of great interest to anyone wishing to learn more about the development of this new and highly innovative genre.
Trade Review'Auger is an astute reader and viewer [...] it is in her detailed readings that Auger’s scholarship shines and her analyses prove potentially useful [....] both as a research checklist of a generally overlooked roster of SF films and as a valuable classroom resource.' * Paweł Frelik, Science Fiction Studies, Vol. 39 *
'This book is an essential resource for anyone studying or interested in the tech-noir genre. The annotated filmography truly supplies a wealth of information, with over 200 entries [...]. This indexed filmography, in addition to the final chapter, cements the book’s longevity as a reference in tech-noir studies, and scholars interested in genre studies might find a place for it in their reference library as well.'
* Angela Chiang, Journal of the Fantastic in the Arts *
Table of ContentsForeword by Gary Hoppenstand
Preface
Introduction
Chapter 1: Method and Models
Chapter 2: The Promethean Message
Chapter 3: Tech-Noir
Appendix 1: Charts
Appendix 2: Tech-Noir Films by Date
Appendix 3: Tech-Noir Films by Type
