Description
Book SynopsisIn ancient didactic poetry, poets frequently make use of imagery – similes, metaphors, acoustic images, models, exempla, fables, allegory, personifications, and other tropes – as a means to elucidate and convey their didactic message. In this volume, which arose from an international conference held at the University of Heidelberg in 2016, we investigate such phenomena and explore how they make the unseen visible, the unheard audible, and the unknown comprehensible. By exploring didactic poets from Hesiod to pseudo-Oppian and from Vergil and Lucretius to Grattius and Ovid, the authors in this collective volume show how imagery can clarify and illuminate, but also complicate and even undermine or obfuscate the overt didactic message. The presence of a real or implied addressee invites our engagement and ultimately our scrutiny of language and meaning.
Trade Review"This volume provides a welcome redirection of these efforts by starting from the idea that didactic is first and foremost poetry and therefore explicable by the major approaches usually followed in the analysis of ancient poetry (especially intertextuality). (...) As a result, the book under review will be essential reading for all scholars of ancient hexameter poetry and for those who work on any didactic poet covered in its various chapters. (...) The editors are to be commended for providing a remarkably cohesive volume of papers written by a group of renowned scholars at the top of their powers. Cumulatively, these essays make an important contribution to most of the major scholarly issues involved in the study of didactic poetry. Essential reading, then, that will remain so for the foreseeable future." Jason Nethercut, BMCR 2022.10.02
