Description

Book Synopsis

Fiction film has been and remains the privileged site of film studies, with film history regularly being viewed as the rise of the narrative fiction film. Taking Fiction Film Seriously argues that despite this privileged position, the notion of fiction as it relates to cinema, has yet to be properly interrogated.

Mario Slugan explores the significant misunderstandings concerning the categorisation of film, audience experience, and the real-life effects of fiction. He contends with the contradictory assumption that fiction films have tangible effects on audiences'' beliefs and behaviours, while also intuitively being ''not true'' or not to be believed in.

Slugan analyses the notion of ''fiction'' from a theoretical and historical perspective, considering how it manifests in a broad range of films from the past 110 years, including The Arrival of a Train (Lumière brothers, 1895-1897), The Blair Witch Project (Myrick and Sánchez, 1999), and Waltz with Bashir (Folman, 2008). He supports his close readings with findings from philosophy, psychology, and literary studies, and in doing so seeks to challenge the current state of film studies.

Taking Fiction Film Seriously

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    A Paperback by Mario Slugan

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      Book details

      Publisher Bloomsbury
      Imprint Bloomsbury Publishing (UK)
      Published 1 February 2025
      ISBN-13 9781350505711
      978-1350505711
      ISBN-10 1350505714
      Also in:
      Entertainment Films, cinema

      Description

      Book Synopsis

      Fiction film has been and remains the privileged site of film studies, with film history regularly being viewed as the rise of the narrative fiction film. Taking Fiction Film Seriously argues that despite this privileged position, the notion of fiction as it relates to cinema, has yet to be properly interrogated.

      Mario Slugan explores the significant misunderstandings concerning the categorisation of film, audience experience, and the real-life effects of fiction. He contends with the contradictory assumption that fiction films have tangible effects on audiences'' beliefs and behaviours, while also intuitively being ''not true'' or not to be believed in.

      Slugan analyses the notion of ''fiction'' from a theoretical and historical perspective, considering how it manifests in a broad range of films from the past 110 years, including The Arrival of a Train (Lumière brothers, 1895-1897), The Blair Witch Project (Myrick and Sánchez, 1999), and Waltz with Bashir (Folman, 2008). He supports his close readings with findings from philosophy, psychology, and literary studies, and in doing so seeks to challenge the current state of film studies.

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