Description
Book SynopsisA guide to the origins and music of Szymanowski's exquisitely beautiful opera King Roger.Karol Szymanowski (1881-1937), the most important Polish composer after Chopin, wrote only two operas, the second of which,
King Roger, completed in 1924, is a masterpiece. After decades of neglect this magnificent work hasbegun to receive more attention around the world, and this first extended study of
King Roger investigates its origins, uncovers its ideology, examines its music and documents its history. The book opens with an outline of the role the theatre played in Szymanowski's career, from his early operetta,
Lottery for Husbands, and the rousing ballet panotmime,
Harnasie, based on legends from the Polish highlands. Intracing the evolution of
King Roger from conception to completion, Alistair Wightman, one of the leading Szymanowki scholars, examines the contribution of the co-librettist, Jaroslaw Iwaszkiewicz, and serveys the various strands which make up its ideology, from Euripides
The Bacchae and Plato
Phaedrus and
The Symposium to works by Pater, Nietzsche, Merezhkovsky and Micinski. He charts Szymanowski's fascination with the historical background of the opera, the world of the twelfth-century ruler of Norman Sicily, Roger II (1095-1154). Szymanowski's own novel,
Efebos, written in 1918-19 and only partially preserved offers intriguing parallels with hisopera. ALISTAIR WIGHTMAN has written extensively about Polish music of the early twentieth century and his translation,
Szymanowski on Music was published by Toccata Press in 1999.
Trade ReviewWightman writes with a deep love of the opera...Valuable for marshalling so much material on King Roger in relatively few pages, this book is an inspiring read. -- John Allison * BBC MUSIC *
This impressive book delves deep into the opera, relating its composition from idea to completion, discusses its ideology . . . and its performance history . . . richly detailed. * AMERICAN RECORD GUIDE *
