Description

Book Synopsis

Michael Tapper considers Swedish culture and ideas from the period 1965 to 2012 as expressed in detective fiction and film in the tradition of Maj Sjowall and Per Wahloo. Believing the Swedish police narrative tradition to be part and parcel of the European history of ideas and culture, Tapper argues that, from being feared and despised, the police emerged as heroes and part of the modern social project of the welfare state after World War II.

Establishing themselves artistically and commercially in the forefront of the genre, Sjowall and Wahloo constructed a model for using the police novel as an instrument for ideological criticism of the social democratic government and its welfare state project. With varying political affiliations, their model has been adapted by authors such as Leif G. W. Persson, Jan Guillou, Henning Mankell, Hakan Nesser, Anders Roslund and Borge Hellstrom and Stieg Larsson, and in film series such as Beck and Wallander. The first book of its kind about Swedish crime fiction, Swedish Cops is just as thrilling as the novels and films it analyses.



Table of Contents

Introduction

Chapter 1 – The Crime Genre

Origins
Crime and the Law

Chapter 2 – Enter the Police

A Genre is Born
The Police and the Welfare State
Backlash
Dirty Harry
Crime and Civilization
Crime Dystopia: The Psychopath and the Serial Killer

Chapter 3 – Crime Scene: Sweden

A Beginning
Gemeinschaft and Gesellschaft and the Nation
Crime and Nationality
The Young Savages of the Asphalt Jungles
The Hoodlum Film
The Politics of Crime
From Punishment to Reform and Back Again
Moral Panics and Crime Journalism
Print the Faction!

Chapter 4 – The 1960s and 1970s: Sjöwall and Wahlöö

Liberal-Conservative Criticism of the Welfare State
Criticism from within the Labour Movement
New Left Criticism of the Welfare State
Eco-Humanist or Green Criticism of the Welfare State
Per Wahlöö and Maj Sjöwall before Sjöwall and Wahlöö
Story of a Crime: Sjöwall and Wahlöö from Freud to Marx
The Film Adaptations

Chapter 5 – The 1980s: Leif G.W. Persson and Jan Guillou

Leif G.W. Persson
Jan Guillou

Chapter 6 – The 1990s: Henning Mankell and Håkan Nesser

Henning Mankell
Håkan Nesser and the Eurocop from Neverland

Chapter 7 – Millennium Cops

Crime and punishment in the Age of War on Terror
'Europudding' Police
Son of Dirty Harry: Beck and the Iconic Rise of Gunvald Larsson
Roslund and Hellström
Steig Larsson
Leif G.W. Persson: Downfall of the Welfare State

Chapter 8 – Into the Twilight

Cops and the Gemeinschaft/Gesellschaft Dichotomy
The Vigilante Cop and Right-wing Extremism
The Vigilante Cop and Fascism
The Challenge of Evil

Swedish Cops: From Sjöwall and Wahlöö to Stieg

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    A Paperback / softback by Michael Tapper

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      View other formats and editions of Swedish Cops: From Sjöwall and Wahlöö to Stieg by Michael Tapper

      Publisher: Intellect Books
      Publication Date: 15/07/2014
      ISBN13: 9781783201884, 978-1783201884
      ISBN10: 1783201886

      Description

      Book Synopsis

      Michael Tapper considers Swedish culture and ideas from the period 1965 to 2012 as expressed in detective fiction and film in the tradition of Maj Sjowall and Per Wahloo. Believing the Swedish police narrative tradition to be part and parcel of the European history of ideas and culture, Tapper argues that, from being feared and despised, the police emerged as heroes and part of the modern social project of the welfare state after World War II.

      Establishing themselves artistically and commercially in the forefront of the genre, Sjowall and Wahloo constructed a model for using the police novel as an instrument for ideological criticism of the social democratic government and its welfare state project. With varying political affiliations, their model has been adapted by authors such as Leif G. W. Persson, Jan Guillou, Henning Mankell, Hakan Nesser, Anders Roslund and Borge Hellstrom and Stieg Larsson, and in film series such as Beck and Wallander. The first book of its kind about Swedish crime fiction, Swedish Cops is just as thrilling as the novels and films it analyses.



      Table of Contents

      Introduction

      Chapter 1 – The Crime Genre

      Origins
      Crime and the Law

      Chapter 2 – Enter the Police

      A Genre is Born
      The Police and the Welfare State
      Backlash
      Dirty Harry
      Crime and Civilization
      Crime Dystopia: The Psychopath and the Serial Killer

      Chapter 3 – Crime Scene: Sweden

      A Beginning
      Gemeinschaft and Gesellschaft and the Nation
      Crime and Nationality
      The Young Savages of the Asphalt Jungles
      The Hoodlum Film
      The Politics of Crime
      From Punishment to Reform and Back Again
      Moral Panics and Crime Journalism
      Print the Faction!

      Chapter 4 – The 1960s and 1970s: Sjöwall and Wahlöö

      Liberal-Conservative Criticism of the Welfare State
      Criticism from within the Labour Movement
      New Left Criticism of the Welfare State
      Eco-Humanist or Green Criticism of the Welfare State
      Per Wahlöö and Maj Sjöwall before Sjöwall and Wahlöö
      Story of a Crime: Sjöwall and Wahlöö from Freud to Marx
      The Film Adaptations

      Chapter 5 – The 1980s: Leif G.W. Persson and Jan Guillou

      Leif G.W. Persson
      Jan Guillou

      Chapter 6 – The 1990s: Henning Mankell and Håkan Nesser

      Henning Mankell
      Håkan Nesser and the Eurocop from Neverland

      Chapter 7 – Millennium Cops

      Crime and punishment in the Age of War on Terror
      'Europudding' Police
      Son of Dirty Harry: Beck and the Iconic Rise of Gunvald Larsson
      Roslund and Hellström
      Steig Larsson
      Leif G.W. Persson: Downfall of the Welfare State

      Chapter 8 – Into the Twilight

      Cops and the Gemeinschaft/Gesellschaft Dichotomy
      The Vigilante Cop and Right-wing Extremism
      The Vigilante Cop and Fascism
      The Challenge of Evil

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