Description
Book SynopsisAppealing to research students and specialist scholars, this book brings fresh perspectives to many of Surrealism's enduring critical concepts and experimental practices by placing them within an expanded historical and geographical framework. The book's interdisciplinary focus makes it relevant for a range of arts and humanities disciplines.
Trade Review'An excellent volume … Highly recommended.' J. E. Housefield, Choice
Table of ContentsPart I. Origins Ideas/Concepts/Interventions: 1. The surrealist world Effie Rentzou; 2. Psychoanalysis Klem James; 3. Surrealism and the demand of politics Raymond Spiter; 4. Modern science Gavin Parkinson; 5. Surrealism and dreams Natalya Lusty; 6. Surrealism and Eros Alyce Mahon; Part II. Developments Practices/Cultures/Material Forms: 7. Surrealist collections in Paris and Sussex Katharine Conley; 8. Surrealist objects Christina Rudosky; 9. Collage Elza Adamowicz; 10. Film Kristoffer Noheden; 11. Photography in surrealism David Bate; 12. Surrealist fashion Ilya Parkins; 13. Surrealist display practices: repositories outside reason Adam Jolles; Part III. Applications Heterodoxies and New Worlds: 14. Surrealism and schizoanalysis Gregory Minissale; 15. The surrealist bestiary and animal philosophyWalter Kalaidjian; 16. Picasso's habits: André Breton on art, nature and reflexivity Joyce S. Cheng; 17. Surrealism and mass observation Tyrus Miller; 18. Pacific surrealism Paul Giles; 19. Decolonial surrealism Jonathan P. Eburne; 20. Surrealism and écriture feminine Anna Watz; 21. Subcultural receptions of surrealism in the 1960s international underground press Abigail Susik.
