Description
Book Synopsis''Part of the power of Sugar Street lies in its style . . . in the prose you can feel the adrenaline of [the protagonist''s] initial flight wearing off , his life shrinking down to a couple of city blocks . It''s brilliantly done'' Guardian
''A deft punch of a novel from Jonathan Dee . . . [he] creates a true page-turner out of simple materials and the result is a troubling and stimulating look at real American life - at the fix that materialism plus the information state has got us into. It''s also very funny'' George Sanders
In Jonathan Dee''s elegant and explosive new novel, Sugar Street, an unnamed male narrator has hit the road with a large sum of cash stashed in an envelope under his car seat. Vigilantly avoiding security cameras, he drives until he meets a city where his past is unlikely to track him down. Renting a room from a less-than-stable landlady whose need for money outweighs her desire to ask questions, he seems to ha
Trade Review
I don't know when I've been as jolted and delighted by the ending of a novel as I recently was by the ending of Sugar Street, a deft punch of a novel by Jonathan Dee, that had the phrase "an American Dostoyevsky" running around in my head. Dee creates a true page-turner out of simple materials and the result is a troubling and stimulating look at real American life - at the fix that materialism plus the information state has got us into. It's also very funny -- George Sanders
Dee's subtle skill lies in how seductive he makes all this strenuous rationalising on the narrator's part . . . Sugar Street's symbolism does just as much to keep you on edge, bringing us queasily close to a self-cancelling antihero who is simultaneously sent up and - you suspect - just a little bit admired * Observer *
Part of the power of Sugar Street lies in its style . . . in the prose you can feel the adrenaline of [the protagonist's] initial flight wearing off , his life shrinking down to a couple of city blocks . It's brilliantly done * Guardian *
This one will keep you guessing . . . An original and fascinating concept that'll keep you hooked and turning the pages * The Sunday Post *
Pacy and disturbing * Mail on Sunday *
[A] compelling, original novel * Independent *
The politics of the story become explicit, terrifyingly so, in its final pages... Sugar Street ends by packing a punch that the reader won't see coming * Prisma *
Possessing the pace and plot surprises of a thriller, Dee's novel also manages to be a searing portrait of contemporary America * Choice *
Dee's style is clean, raw, terse [and] perfectly paced. The voice conveys a yearning for something better against a bone-deep cynicism... You sure won't see the ending coming * Financial Times *
A propulsive thriller * Observer *
Sugar Street is expertly done, with a good balance of provocative thinking and surprising developments * The Times *
This is an elegant, spare and thoroughly engaging novel, with a narrator who goes from potential bad guy to potential victim... and a genuinely affecting questioning of whether it's possible to do the "right thing" without incurring judgment -- Claire Looby * Irish Times *
