Description

Book Synopsis

Stylistic Innovation, Conscious Experience, and the Self in Modernist Women's Poetry examines representations of philosophical discourses in Modernist women's writing. Philosophers argued in the early twentieth century for an understanding of the self as both corporeal and relational, shaped and reshaped by interactions within a community. The once clear distinction between self and other was increasingly called into question. This breakdown of boundaries between self and world often manifested in the style of early twentieth-century literary works. Modernist poetry, like stream of consciousness fiction, used metaphor, sound, and a revision of received grammatical structures to blur the boundaries between the individual and collective. This book explores the ways that feminist writers like Mina Loy, H.D., Gertrude Stein, and Marianne Moore used style and technique to respond to these philosophical debates, reclaiming agency over a predominantly male philosophical discourse. While many critics have addressed the thematic content of these writers' work, few scholars have taken up this question while focusing on the style of the writing. This book shows how these feminist poets used seemingly small stylistic choices in poetry to make necessary contributions to contemporary philosophical discourses, ultimately rendering these philosophical conversations more inclusive.



Trade Review

An incredibly well-researched and eloquent book, showing a forensic eye for poetic nuance with a lush and artful delivery of complex ideas. Kristina Marie Darling never misses.

-- Erica Buist, The Guardian

Table of Contents

Introduction: Modernism as a Reframing of Individual Conscious Experience

Chapter 1: Reclaiming the Intellectual Agency of Women: Marianne Moore & Jamesian Psychology

Chapter 2: "Each Alone Would Have Left Us To Our Dreams": Avant-Garde Film, Sound Technology, and Montage In H.D.'s Helen In Egypt

Chapter 3: Gertrude Stein: Inhabiting (and Interrogating) the Sentence

Chapter 4: Mina Loy: A Poetics of Rupture and Resistance

Beyond the Self/Other Binary: An Afterward

Stylistic Innovation, Conscious Experience, and

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    A Hardback by Kristina Marie Darling

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      Publisher: Lexington Books
      Publication Date: 07/10/2021
      ISBN13: 9781793633064, 978-1793633064
      ISBN10: 1793633061

      Description

      Book Synopsis

      Stylistic Innovation, Conscious Experience, and the Self in Modernist Women's Poetry examines representations of philosophical discourses in Modernist women's writing. Philosophers argued in the early twentieth century for an understanding of the self as both corporeal and relational, shaped and reshaped by interactions within a community. The once clear distinction between self and other was increasingly called into question. This breakdown of boundaries between self and world often manifested in the style of early twentieth-century literary works. Modernist poetry, like stream of consciousness fiction, used metaphor, sound, and a revision of received grammatical structures to blur the boundaries between the individual and collective. This book explores the ways that feminist writers like Mina Loy, H.D., Gertrude Stein, and Marianne Moore used style and technique to respond to these philosophical debates, reclaiming agency over a predominantly male philosophical discourse. While many critics have addressed the thematic content of these writers' work, few scholars have taken up this question while focusing on the style of the writing. This book shows how these feminist poets used seemingly small stylistic choices in poetry to make necessary contributions to contemporary philosophical discourses, ultimately rendering these philosophical conversations more inclusive.



      Trade Review

      An incredibly well-researched and eloquent book, showing a forensic eye for poetic nuance with a lush and artful delivery of complex ideas. Kristina Marie Darling never misses.

      -- Erica Buist, The Guardian

      Table of Contents

      Introduction: Modernism as a Reframing of Individual Conscious Experience

      Chapter 1: Reclaiming the Intellectual Agency of Women: Marianne Moore & Jamesian Psychology

      Chapter 2: "Each Alone Would Have Left Us To Our Dreams": Avant-Garde Film, Sound Technology, and Montage In H.D.'s Helen In Egypt

      Chapter 3: Gertrude Stein: Inhabiting (and Interrogating) the Sentence

      Chapter 4: Mina Loy: A Poetics of Rupture and Resistance

      Beyond the Self/Other Binary: An Afterward

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