Description

Book Synopsis
This introduction to studying comics and graphic novels is a structured guide to a popular topic. It deploys novel cognitive approaches to analyze the importance of psychological and physical aspects of reader experience and features activities and exercises throughout.

Table of Contents

Acknowledgments vii

Introduction: How to Use This Book 1

What This Book Holds 2

Working Definitions 4

1 What's in a Page: Close-Reading Comics 7

Cognitive Processes and Critical Terms 7

Navigating the Comics Page 16

Entering the Storyworld and Meeting its Participants 19

Comics Analysis – A Basic Checklist 26

2 The Way Comics Tell it: Narration and Narrators 31

Showing and Telling 31

Story, Discourse, and Plot 34

The Narrator 39

Narration, Focalization, and Point of View 44

Narrative as Meaning-Making 48

Graphic Narrative – A Basic Checklist 49

3 Narrating Minds and Bodies: Autobiographical Comics 55

Style and Subjectivity 55

Autographic Agents 57

Embodiment 60

Self-Reflexivity 61

Time, Story, and History 65

Alternative Agendas and Authenticity 68

4 Novels and Graphic Novels: Adaptations 73

Transporting Stories 74

Media Affordances and Adaptation Strategies 75

Fidelity in Adaptation 80

Literary Complexity 85

The Page Revisited 90

5 Comics and Their History 99

The Beginnings of Comics History 99

Precursors in Emergent Mass Culture 102

Newspaper Comics (1900s–1930s) 103

The Comic Book (1930–54) 106

Comics Censorship (1954) 110

Comics as Popular Culture 113

Breaking the Code 1: Pop Art and Underground Comix 117

Breaking the Code 2: The British Invasion 118

6 The Study and Criticism of Comics 123

Resources for Studying Comics 123

Access to Comics Texts 123

Critical Work on Comics 124

Critical Approaches to Comics 125

Comics Semiotics 126

Comics Narratology 128

Cognitive Approaches to Comics 129

Historical and Auteurist Approaches 131

Cultural Studies and Gender Studies 133

Psychoanalysis 134

How to Write Your Essay on Comics 139

The Crime Scene 142

The Witnesses 142

Making Your Case 144

End Credits 146

Conclusion: Comics as Literature 149

Appendix: More Comics and Graphic Novels to Read 155

Glossary 167

Index 179

Studying Comics and Graphic Novels

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    A Paperback / softback by Karin Kukkonen

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      Publisher: John Wiley and Sons Ltd
      Publication Date: Publication Date: 30/08/2013
      ISBN13: 9781118499924, 978-1118499924
      ISBN10: 1118499921

      Description

      Book Synopsis
      This introduction to studying comics and graphic novels is a structured guide to a popular topic. It deploys novel cognitive approaches to analyze the importance of psychological and physical aspects of reader experience and features activities and exercises throughout.

      Table of Contents

      Acknowledgments vii

      Introduction: How to Use This Book 1

      What This Book Holds 2

      Working Definitions 4

      1 What's in a Page: Close-Reading Comics 7

      Cognitive Processes and Critical Terms 7

      Navigating the Comics Page 16

      Entering the Storyworld and Meeting its Participants 19

      Comics Analysis – A Basic Checklist 26

      2 The Way Comics Tell it: Narration and Narrators 31

      Showing and Telling 31

      Story, Discourse, and Plot 34

      The Narrator 39

      Narration, Focalization, and Point of View 44

      Narrative as Meaning-Making 48

      Graphic Narrative – A Basic Checklist 49

      3 Narrating Minds and Bodies: Autobiographical Comics 55

      Style and Subjectivity 55

      Autographic Agents 57

      Embodiment 60

      Self-Reflexivity 61

      Time, Story, and History 65

      Alternative Agendas and Authenticity 68

      4 Novels and Graphic Novels: Adaptations 73

      Transporting Stories 74

      Media Affordances and Adaptation Strategies 75

      Fidelity in Adaptation 80

      Literary Complexity 85

      The Page Revisited 90

      5 Comics and Their History 99

      The Beginnings of Comics History 99

      Precursors in Emergent Mass Culture 102

      Newspaper Comics (1900s–1930s) 103

      The Comic Book (1930–54) 106

      Comics Censorship (1954) 110

      Comics as Popular Culture 113

      Breaking the Code 1: Pop Art and Underground Comix 117

      Breaking the Code 2: The British Invasion 118

      6 The Study and Criticism of Comics 123

      Resources for Studying Comics 123

      Access to Comics Texts 123

      Critical Work on Comics 124

      Critical Approaches to Comics 125

      Comics Semiotics 126

      Comics Narratology 128

      Cognitive Approaches to Comics 129

      Historical and Auteurist Approaches 131

      Cultural Studies and Gender Studies 133

      Psychoanalysis 134

      How to Write Your Essay on Comics 139

      The Crime Scene 142

      The Witnesses 142

      Making Your Case 144

      End Credits 146

      Conclusion: Comics as Literature 149

      Appendix: More Comics and Graphic Novels to Read 155

      Glossary 167

      Index 179

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