Description

Book Synopsis
Peter Lasko, expert in Medieval luxury arts, authored Ars Sacra, the primary reference in the field. His collection of 21 papers covers sculpture, metalwork, ivory carving, restoration ethics, and art history discipline.

Table of Contents
Preface

The Comb of St. Cuthbert

A Romanesque Ivory Carving

Exhibition of Romanesque Art at Barcelona and Santiago de Compostela

Der Goldpokal der Konige von Frankreich und England

The Thorn Reliquary: the Art of the Parisian Goldsmiths of c. 1400

The Signet Ring of Richard I of England

An English Romanesque Portable Altar

The Pentecost Panel and Godefroid de Claire

The Rattlesden St. John

The Escrain de Charlemagne

The Courtauld Institute of Art and Art History in Great Britain

An Unnoticed Leaf of a Late Antique Ivory Diptych and the Temple of Mercury in Rome

The Concept of Regionalism in French Romanesque

Two Ivory Kings in the British Museum and the Norman Conquest

Anglo-Saxon or Norman? Observations on Some Ivories at the Hayward Gallery

The Tomb of St. Bernward of Hildesheim

The Enger Cross

The Impact of German-speaking Refugees in Britain on the Fine Arts

Der Einfluss der deutschen Kunstgeschichte in England

The Principles of Restoration

Der Krodo-Altar und der Kaisersthul in Goslar

Additional Notes

Index

Studies on Metalwork Ivories and Stone

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    A Hardback by Peter Lasko

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      Publisher: Pindar Press
      Publication Date: Publication Date: 31/12/1994
      ISBN13: 9780907132820, 978-0907132820
      ISBN10: 907132820

      Description

      Book Synopsis
      Peter Lasko, expert in Medieval luxury arts, authored Ars Sacra, the primary reference in the field. His collection of 21 papers covers sculpture, metalwork, ivory carving, restoration ethics, and art history discipline.

      Table of Contents
      Preface

      The Comb of St. Cuthbert

      A Romanesque Ivory Carving

      Exhibition of Romanesque Art at Barcelona and Santiago de Compostela

      Der Goldpokal der Konige von Frankreich und England

      The Thorn Reliquary: the Art of the Parisian Goldsmiths of c. 1400

      The Signet Ring of Richard I of England

      An English Romanesque Portable Altar

      The Pentecost Panel and Godefroid de Claire

      The Rattlesden St. John

      The Escrain de Charlemagne

      The Courtauld Institute of Art and Art History in Great Britain

      An Unnoticed Leaf of a Late Antique Ivory Diptych and the Temple of Mercury in Rome

      The Concept of Regionalism in French Romanesque

      Two Ivory Kings in the British Museum and the Norman Conquest

      Anglo-Saxon or Norman? Observations on Some Ivories at the Hayward Gallery

      The Tomb of St. Bernward of Hildesheim

      The Enger Cross

      The Impact of German-speaking Refugees in Britain on the Fine Arts

      Der Einfluss der deutschen Kunstgeschichte in England

      The Principles of Restoration

      Der Krodo-Altar und der Kaisersthul in Goslar

      Additional Notes

      Index

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