Description
Book SynopsisEdward Garrison's four volumes represented a landmark in the study of medieval Italian painting in the Papal States and Tuscany in the C12th. The books feature photos of miniatures, ornamental initials, wall-paintings and panels. They represent one of the most valuable sources of information about twelfth-century painting in existence.
Table of ContentsPictorial Histories IX. The Umbro-Roman Avila Bible Master and his Florentine Following
Contributions to the History of Twelfth-Century Umbro-Roman Painting V, Part II, Materials. V. The Italian-Byzantine-Romanesque Fusion in the First Quarter of the Twelfth Century
An Illustrated Pisan Bible in Madrid
Twelfth-Century Initial Styles of Central Italy: Indices for the Dating of Manuscripts IX, Part II, Materials. The Third Quarter of the Twelfth Century: The Pistoiese Region, The Sienese Region, Central Italian Manuscripts not precisely Attributable
The Late Twelfth and Early Thirteenth Century
Thirteenth Century Survival and Revival in Florence and Lucca
Excursus - The Hagiological Evidence for Pistoia
Pictorial Histories X. A Lucchese Selected Books of the Bible
Contributions to the History of Twelfth-Century Umbro-Roman Painting VI, Part II, Materials. V The Italian-Byzantine-Romanesque Fusion in the First Quarter of the Twelfth Century. 4. The Genoa Bible Master and his Collaborators, 5. Other Frescoes, 6. Other Manuscripts
Additional Pre-Revival Umbro-Roman Manuscripts
The S. Clemente Frescoes. A Retraction, A Reconsideration and an Addition to the Evidence
Twelfth-Century Initial Styles of Central Italy: Indices for the Dating of Manuscripts X, Part II, Materials. Supplement. The Early Geometrical Style, The Middle Geometrical Style, The Transitional Geometrical Style, The Late Geometrical Style
Additional Giant Bibles
Pictorial Histories XI. A Twelfth-Century Bible: A Jerusalem (?) Masterpiece
Comment on the Schloss Pommersfelden Bible
Contributions to the History of Twelfth-Century Umbro-Roman Painting VII. Part II. Materials. V. The Italian-Byzantine-Romanesque Fusion in the First Quarter of the Twelfth Century. 7. The Vallicelliana Evangelary Style
VI. The Italian-Byzantine-Romanesque Fusion in the First to Second Quarter of the Twelfth Century. 1. Frescoes in the Crypt of S. Pietro in Tuscania, 2. The Frescoes from Magliano Romano, 3. Panel Paintings, 4. Manuscripts, 5. Umbro-Roman Influence outside the Region
Early Lucchese Manuscripts (to ca. 1150)
Addenda ad Indicem V. The Veneration of S. Remigio in Lucca: an Apology
Twelfth-Century Initial Styles of Central Italy: Indices for the Dating of Manuscripts XI. Part II. Material.
Supplement II. The Early Geometrical Style, The Middle Geometrical Style, The Transitional Geometrical Style
