Description
Book SynopsisEssays on the post-modern reception and interpretation of the Middle Ages.Though
Studies in Medievalism has hosted many essays on gender, this is the first volume devoted specifically to that theme. The first part features four short essays that directly address manifestations of sexism in postmedieval responses to the Middle Ages: gender substitutions in a Grail Quest episode of the 2023 television series
Mrs. Davis, repurposed misogyny in the last two episodes of
Game of Thrones (2011-19), traditional gender stereotypes in Capital One's credit card commercials from 2000 to 2013, and "shaggy" medievalism in Robert Eggers' 2022 film
The Northman. The second part contains ten longer essays, which collectively continue to demonstrate the ubiquity of gender issues and the extraordinary flexibility of approaches to them. The authors discuss the misogynistic sexualization of Grendel's mother in Parke Godwin's 1995 fantasy novel
The Tower of Beowulf, in Graham Baker's 1999 film
Beowulf, in three episodes from the television series
Xena: Warrior Princess, and in Robert Zemeckis's 2007 film
Beowulf; gender substitution in David Lowery's 2021 film
The Green Knight and in Kinoku Nasu's and Takashi Takeuchi's anime series
Fate (2004-); female authorship of three early-nineteenth-century plays about court ladies' medieval empowerment; extraordinary violence in medievalist video games; nationalism in fake nineteenth-century medievalist documents and in contemporary online fora; racial discrimination in video gaming and in Jim Crow literature; and the condemnation of racism in Maria Dahvana Headley's 2018 novel
The Mere Wife.
