Description

Book Synopsis
Andrew Ladis is Franklin Professor of Art History at the University of Georgia. Over the course of the last twenty years he has written extensively on Italian art. In addition to books on Taddeo Gaddi and on the Brancacci Chapel, he has made notable contributions to the study of early Italian painting and sculpture with essays on such figures as Giovanni Pisano, Giotto, Jacopo del Casentino, Ambrogio Lorenzetti, and Niccolò di Tommaso.

But the range of his interests, made apparent by this collection, extends far beyond fourteenth-century Florence and Siena to encompass Tuscan painting of the fifteenth century, Renaissance maiolica, the writings of Giorgio Vasari, biography, and modern historiography. Further, the assembled essays and book reviews embrace a wide array of art historical problems, such as connoisseurship, patronage, workshop procedure, and the relationship between form and meaning. Of particular note is a major interpretive essay on one of the key monuments of the Renaissance, the mural decoration of the Brancacci Chapel painted by Masaccio, Masolino, and Filippino Lippi. Appearing here in revised form, this study is newly accompanied by a copious number of illustrations, including some never before published.

Table of Contents
Preface

Giovanni Pisano: Unfinished Business in Siena

The Velluti Chapel

An Early Fourteenth-century Triptych in Memphis and Florentine Painting in the Glow of Duccio

The Legend of Giotto's Wit and the Arena Chapel

An Old Picture in Florence

Immortal Queen and Mortal Bride: The Marian Imagery of Ambrogio Lorenzetti's Cycle at Montesiepi

A High Altarpiece for San Giovanni Fuorcivitas in Pistoia and Hypotheses about Niccolò di Tommaso

Antonio Veneziano and the Representation of Emotions

An Order for Drawings after Agnolo Gaddi's True Cross Cycle in Florence

The Reflective Memory of a Late Trecento Painter: Speculations on the Origin and Development of the Master of San Martino Mensola

The Death of Giovanni d'Ambrogio

Salvation and Vision in the Brancacci Chapel

'Two Nude Figures by Masaccio' and the Importance of Being Earnest

Sources and Resources: The Lost Sketchbooks of Giovanni di Paolo

The Music of Devotion: Image, Voice and the Imagination in a Madonna of Humility by Domenico di Bartolo

Benvenuto di Giovanni at Sixteen

Perugino and the Wages of Fortune

Ornatissimi Vasi: Italian Maiolica and the Renaissance

Richard Offner: the Unmaking of a Connoisseur

Book Reviews

Additional Notes

Index

Studies in Italian Art

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    A Hardback by Andrew Ladis

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      Publisher: Pindar Press
      Publication Date: Publication Date: 31/12/2001
      ISBN13: 9781899828326, 978-1899828326
      ISBN10: 189982832X

      Description

      Book Synopsis
      Andrew Ladis is Franklin Professor of Art History at the University of Georgia. Over the course of the last twenty years he has written extensively on Italian art. In addition to books on Taddeo Gaddi and on the Brancacci Chapel, he has made notable contributions to the study of early Italian painting and sculpture with essays on such figures as Giovanni Pisano, Giotto, Jacopo del Casentino, Ambrogio Lorenzetti, and Niccolò di Tommaso.

      But the range of his interests, made apparent by this collection, extends far beyond fourteenth-century Florence and Siena to encompass Tuscan painting of the fifteenth century, Renaissance maiolica, the writings of Giorgio Vasari, biography, and modern historiography. Further, the assembled essays and book reviews embrace a wide array of art historical problems, such as connoisseurship, patronage, workshop procedure, and the relationship between form and meaning. Of particular note is a major interpretive essay on one of the key monuments of the Renaissance, the mural decoration of the Brancacci Chapel painted by Masaccio, Masolino, and Filippino Lippi. Appearing here in revised form, this study is newly accompanied by a copious number of illustrations, including some never before published.

      Table of Contents
      Preface

      Giovanni Pisano: Unfinished Business in Siena

      The Velluti Chapel

      An Early Fourteenth-century Triptych in Memphis and Florentine Painting in the Glow of Duccio

      The Legend of Giotto's Wit and the Arena Chapel

      An Old Picture in Florence

      Immortal Queen and Mortal Bride: The Marian Imagery of Ambrogio Lorenzetti's Cycle at Montesiepi

      A High Altarpiece for San Giovanni Fuorcivitas in Pistoia and Hypotheses about Niccolò di Tommaso

      Antonio Veneziano and the Representation of Emotions

      An Order for Drawings after Agnolo Gaddi's True Cross Cycle in Florence

      The Reflective Memory of a Late Trecento Painter: Speculations on the Origin and Development of the Master of San Martino Mensola

      The Death of Giovanni d'Ambrogio

      Salvation and Vision in the Brancacci Chapel

      'Two Nude Figures by Masaccio' and the Importance of Being Earnest

      Sources and Resources: The Lost Sketchbooks of Giovanni di Paolo

      The Music of Devotion: Image, Voice and the Imagination in a Madonna of Humility by Domenico di Bartolo

      Benvenuto di Giovanni at Sixteen

      Perugino and the Wages of Fortune

      Ornatissimi Vasi: Italian Maiolica and the Renaissance

      Richard Offner: the Unmaking of a Connoisseur

      Book Reviews

      Additional Notes

      Index

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