Description

Book Synopsis
Jonas Nordhagen's work on S. Maria Antiqua's frescoes in Rome is vital for early medieval Italian art. This volume compiles his research on Roman mosaics, frescoes, and techniques. It also covers iconography, art themes, and connections to the British Isles. Nordhagen includes corrections and updates based on subsequent research.

Table of Contents
Preface

The Technique of Italian Mosaics of the 4th and 5th Century A.D.

The Archaeology of Wall Mosaics: A Note on the Mosaics in Santa Maria Maggiore

The Mosaics of the Great Palace of the Byzantine Emperors

The Mosaics in the Cappella di S. Aquilino in Milan: Evidence of Restoration

The Penetration of Byzantine Mosaic Technique into Italy in the Sixth Century A.D.

The Mosaics of John VII (705-707 A.D.). The Mosaic Fragments and their Technique

Gli effetti prodotti dall'uso dell'oro, dell'argento e di altri materiali nell'arte musiva dell'alto medioevo

The Earliest Decorations in Santa Maria Antiqua and their Date

Santa Maria Antiqua. The Frescoes of the Seventh Century

The Frescoes of John VII. Problems of Chronology

Santa Maria Antiqua Revisited

La più antica Eleousa conosciuta

The Integration of the Nativity and Annunciation to the Shepherds in Byzantine Art

The origin of the Washing of the Child in the Nativity Scene: Un problema di carattere tecnico e iconografico in S. Prassede

"The Harrowing of Hell" as Imperial Iconography. A Note on its Earliest Use: Icons Designed for the Display of Sumptuous Votive Gifts

The "Cross Under Arch" Motif in Early Medieval Art and its Origin

Working with Wilpert. The Illustrations in Die Römischen Mosaiken und Malereien and their Source Value

The Use of Palaeography in the Dating of Early Medieval Frescoes

A Carved Marble Pilaster in the Vatican Grottoes and Some Remarks on the Sculptural Techniques of the Early Middle Ages

The Codex Amiatinus and the Byzantine Element in the Northumbrian Renaissance

Italo-Byzantine Wall Painting of the Early Middle Ages. An 80-year old Enigma of Scholarship: Byzantium and the West

Additional Notes

Index

Studies in Byzantine and Early Medieval Painting

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    A Hardback by Per Jonas Nordhagen

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      Publisher: Pindar Press
      Publication Date: Publication Date: 31/12/1990
      ISBN13: 9780907132479, 978-0907132479
      ISBN10: 907132472

      Description

      Book Synopsis
      Jonas Nordhagen's work on S. Maria Antiqua's frescoes in Rome is vital for early medieval Italian art. This volume compiles his research on Roman mosaics, frescoes, and techniques. It also covers iconography, art themes, and connections to the British Isles. Nordhagen includes corrections and updates based on subsequent research.

      Table of Contents
      Preface

      The Technique of Italian Mosaics of the 4th and 5th Century A.D.

      The Archaeology of Wall Mosaics: A Note on the Mosaics in Santa Maria Maggiore

      The Mosaics of the Great Palace of the Byzantine Emperors

      The Mosaics in the Cappella di S. Aquilino in Milan: Evidence of Restoration

      The Penetration of Byzantine Mosaic Technique into Italy in the Sixth Century A.D.

      The Mosaics of John VII (705-707 A.D.). The Mosaic Fragments and their Technique

      Gli effetti prodotti dall'uso dell'oro, dell'argento e di altri materiali nell'arte musiva dell'alto medioevo

      The Earliest Decorations in Santa Maria Antiqua and their Date

      Santa Maria Antiqua. The Frescoes of the Seventh Century

      The Frescoes of John VII. Problems of Chronology

      Santa Maria Antiqua Revisited

      La più antica Eleousa conosciuta

      The Integration of the Nativity and Annunciation to the Shepherds in Byzantine Art

      The origin of the Washing of the Child in the Nativity Scene: Un problema di carattere tecnico e iconografico in S. Prassede

      "The Harrowing of Hell" as Imperial Iconography. A Note on its Earliest Use: Icons Designed for the Display of Sumptuous Votive Gifts

      The "Cross Under Arch" Motif in Early Medieval Art and its Origin

      Working with Wilpert. The Illustrations in Die Römischen Mosaiken und Malereien and their Source Value

      The Use of Palaeography in the Dating of Early Medieval Frescoes

      A Carved Marble Pilaster in the Vatican Grottoes and Some Remarks on the Sculptural Techniques of the Early Middle Ages

      The Codex Amiatinus and the Byzantine Element in the Northumbrian Renaissance

      Italo-Byzantine Wall Painting of the Early Middle Ages. An 80-year old Enigma of Scholarship: Byzantium and the West

      Additional Notes

      Index

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