Description

Book Synopsis
The Rite of Spring is Stravinsky's most revolutionary work. This important new book provides a comprehensive guide to the work, telling in vivid detail the story of its inception and composition, of the stormy rehearsals which led to the scandalous premiere on 29 May 1913, and of Stravinsky's later betrayal of the ballet's first choreographer, Vaslav Nijinsky. At the same time, in a radical reassessment of the work's musical values, Peter Hill probes beneath the surface of the music to reveal an architectural conception of unsuspected guile and subtlety. A feature of the book is a detailed discussion of the work in performance, drawing on recordings by the Rite's greatest interpreters, Stravinsky himself included. Finally, the significance of the Rite is thoroughly reviewed in a hard-hitting conclusion which poses a radical challenge to the orthodox view of the work.

Table of Contents
Part I. Prelude: 1. Origins; 2. Sketches; 3. Rehearsals; Part II. The Music: 4. Language; 5. Commentary; Part III. Aftermath: 6. Anthology; 7. Stravinsky's collaborators; 8. The Rite restored; 9. Conclusion.

Stravinsky The Rite of Spring Cambridge Music

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    A Paperback by Peter Hill

    £19.99

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      Book details

      Publisher Cambridge University Press
      Published 11/23/2000 12:00:00 AM
      ISBN-13 9780521627146
      978-0521627146
      ISBN-10 0521627141
      Also in:
      Entertainment Composers and songwriters

      Description

      Book Synopsis
      The Rite of Spring is Stravinsky's most revolutionary work. This important new book provides a comprehensive guide to the work, telling in vivid detail the story of its inception and composition, of the stormy rehearsals which led to the scandalous premiere on 29 May 1913, and of Stravinsky's later betrayal of the ballet's first choreographer, Vaslav Nijinsky. At the same time, in a radical reassessment of the work's musical values, Peter Hill probes beneath the surface of the music to reveal an architectural conception of unsuspected guile and subtlety. A feature of the book is a detailed discussion of the work in performance, drawing on recordings by the Rite's greatest interpreters, Stravinsky himself included. Finally, the significance of the Rite is thoroughly reviewed in a hard-hitting conclusion which poses a radical challenge to the orthodox view of the work.

      Table of Contents
      Part I. Prelude: 1. Origins; 2. Sketches; 3. Rehearsals; Part II. The Music: 4. Language; 5. Commentary; Part III. Aftermath: 6. Anthology; 7. Stravinsky's collaborators; 8. The Rite restored; 9. Conclusion.

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