Description

Book Synopsis

In this ceaselessly questioning book, acclaimed African American dancer, choreographer, and director Bill T. Jones reflects on his art and life as he describes the genesis of Story/Time, a recent dance work produced by his company and inspired by the modernist composer and performer John Cage. Presenting personally revealing stories, richly illustr



Trade Review
One of The Skanner Newspaper's Ten Best Black Books of 2014 "An experimental dancer/choreographer/performance artist improvises on the nature of story itself in a unique format... A brave and often successful attempt to capture and display movement and intuition and the unspoken on the printed page."--Kirkus Reviews "Story/Time: The Life of an Idea is an ethereal memoir emblematic of this iconoclastic trailblazer's unpredictable approach to everything he does."--Kam Williams, AALBC.com "Readers interested in the intersection of dance, performance art, and the world of ideas will gain insight and inspiration from this thoughtful and singular work."--Carolyn M. Mulac, Library Journal "With the book, Jones attempts to explore the vital nature of his stage production back to its origins... Anyone who has seen Jones' work has likely felt the need to press the 'pause' button; it carries a hypnotic current, a sense of relentless forward movement. This book, then, provides an ideal counterpoint. It suspends time, allowing Jones' story and space to unfold."--Jennifer Day, Chicago Tribune "As a written document, this book is clearly organized, quickly read, and dense with musings that can be dissected by dancers and non-dancers alike. As a piece of art, it is both process and product in one. The engagement and participation of audience member might be enhanced if the book is read and discussed in a group setting, which makes me curious to see how it will fit with the live performance and how many people will pair the two. The experiment in creation, design and performance certainly poses many questions that, identifying as a dance artist, I found myself musing in the context of own work. Likewise, as an academic, I found I was concurrently dissecting the book for use in a future class. I found the 'provocation' of personal context and its link to the audience's experience of art particularly poignant."--Katie C. Sopoci Drake, 4Dancers "Story/Time: The Life of an Idea, by the acclaimed dancer and choreographer Bill T. Jones, is an odd amalgam of texts. In the preface, Jones tells the reader that 'The object you are holding in your hands is conflicted. It is a performance yearning to be a document, a book... It is the record of a needy, angry and confused man. The need is for a tradition, an intellectual home. The anger is generated from an ever-maturing realization that I never truly had an intellectual home and never will.' Throughout the book's three sections, this conflict between performance and document was both frustrating and riveting, and ultimately, satisfying."--Alexis Camins, TruthDig.com

Table of Contents
Acknowledgments vii Preface ix Past Time 1 Story/Time 19 With Time 97

StoryTime

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    A Hardback by Bill T. Jones

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      Publisher: Princeton University Press
      Publication Date: 07/09/2014
      ISBN13: 9780691162706, 978-0691162706
      ISBN10: 0691162700
      Also in:
      Performing arts

      Description

      Book Synopsis

      In this ceaselessly questioning book, acclaimed African American dancer, choreographer, and director Bill T. Jones reflects on his art and life as he describes the genesis of Story/Time, a recent dance work produced by his company and inspired by the modernist composer and performer John Cage. Presenting personally revealing stories, richly illustr



      Trade Review
      One of The Skanner Newspaper's Ten Best Black Books of 2014 "An experimental dancer/choreographer/performance artist improvises on the nature of story itself in a unique format... A brave and often successful attempt to capture and display movement and intuition and the unspoken on the printed page."--Kirkus Reviews "Story/Time: The Life of an Idea is an ethereal memoir emblematic of this iconoclastic trailblazer's unpredictable approach to everything he does."--Kam Williams, AALBC.com "Readers interested in the intersection of dance, performance art, and the world of ideas will gain insight and inspiration from this thoughtful and singular work."--Carolyn M. Mulac, Library Journal "With the book, Jones attempts to explore the vital nature of his stage production back to its origins... Anyone who has seen Jones' work has likely felt the need to press the 'pause' button; it carries a hypnotic current, a sense of relentless forward movement. This book, then, provides an ideal counterpoint. It suspends time, allowing Jones' story and space to unfold."--Jennifer Day, Chicago Tribune "As a written document, this book is clearly organized, quickly read, and dense with musings that can be dissected by dancers and non-dancers alike. As a piece of art, it is both process and product in one. The engagement and participation of audience member might be enhanced if the book is read and discussed in a group setting, which makes me curious to see how it will fit with the live performance and how many people will pair the two. The experiment in creation, design and performance certainly poses many questions that, identifying as a dance artist, I found myself musing in the context of own work. Likewise, as an academic, I found I was concurrently dissecting the book for use in a future class. I found the 'provocation' of personal context and its link to the audience's experience of art particularly poignant."--Katie C. Sopoci Drake, 4Dancers "Story/Time: The Life of an Idea, by the acclaimed dancer and choreographer Bill T. Jones, is an odd amalgam of texts. In the preface, Jones tells the reader that 'The object you are holding in your hands is conflicted. It is a performance yearning to be a document, a book... It is the record of a needy, angry and confused man. The need is for a tradition, an intellectual home. The anger is generated from an ever-maturing realization that I never truly had an intellectual home and never will.' Throughout the book's three sections, this conflict between performance and document was both frustrating and riveting, and ultimately, satisfying."--Alexis Camins, TruthDig.com

      Table of Contents
      Acknowledgments vii Preface ix Past Time 1 Story/Time 19 With Time 97

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