Description
Book SynopsisOlonkho, the epic narrative and song tradition of Siberia’s Sakha people, declined to the brink of extinction during the Soviet era. In 2005, UNESCO’s Masterpiece Proclamation sparked a resurgence of interest in
olonkho by recognizing its important role in humanity’s oral and intangible heritage.
Drawing on her ten years of living in the Russian North, Robin P. Harris documents how the Sakha have used the Masterpiece program to revive olonkho and strengthen their cultural identity. Harris’s personal relationships with and primary research among Sakha people provide vivid insights into understanding olonkho and the attenuation, revitalization, transformation, and sustainability of the Sakha’s cultural reemergence. Interdisciplinary in scope, Storytelling in Siberia considers the nature of folklore alongside ethnomusicology, anthropology, comparative literature, and cultural studies to shed light on how marginalized peoples are
Trade Review
"Harris' book is significant, accessible, and intriguing. . . . Wonderfully reflexive, providing a glimpse into dialogue with key people in the revitalization effort, people who are concerned that history of the prized ethnic tradition is recounted rightly." --Western Folklore
"A most-welcome contribution to the analysis of the problems facing traditional art forms in the modern world." --Journal of American Folklore
"Deeply researched . . . With detailed analysis, Harris describes the changes that olonkho has endured from before the Soviet time, during the Communist regime, through perestroika, up to its present day."--Songlines
"Strong ethnography is what makes Storytelling in Siberia an important text, taking readers to a place little studied, to the particularity of olonkho." --Ethnomusicology Forum
"Harris has crafted a complex and critical evaluation of a cultural-revival project in practice." --The Russian Review
"Of relevance to understanding the challenges of cultural reemergence in other parts of the globe, this compelling book informs anthropologists and ethnomusicologists as well as a much broader audience about one of the true masterpieces of the world's oral literature-- its origins, content, and future. Readers witness the interplay of Christian and pre-Christian interpretations, the sad legacy of cultural loss during the Soviet years, and the aspirations of a modern nation to reclaim its vanishing cultural heritage amid a rapidly changing world. . . . Highly recommended."--Choice
"Rich in information about a sonic performance tradition little known in the West, Storytelling in Siberia is an important introduction to both Sakha storytelling and its history. Multidisciplinary in scope." --The World of Music
“Robin Harris’s up-close and vividly written account of how an epic tradition from Siberia was proclaimed a UNESCO Masterpiece of the Oral and Intangible Heritage of Humanity is a masterpiece of contemporary ethnography in its own right.”--Theodore Levin, Dartmouth College
"Ancient artistry comes to us through the trial of centuries. This book gives us hope that the heroic epics of the Yakuts, having survived under Soviet power, will outlive these rapidly changing, turbulent times as well."--Eduard Alekseyev, Academy of Spirituality, Sakha Republic (Yakutia)
"Harris accomplished a laudable work. . . . Storytelling in Siberia is an important introduction to both Sakha storytelling and its history." --World of Music
Table of Contents
List of Illustrations ix
Notes on Transliteration from Russian and Sakha xi
Acknowledgments xiii
Introduction: Encountering Olonkho 1
1 Epic Traditions, Performers, and Audiences 11
2 Effects of Change during the Soviet Era 33
3 Esteem for a Masterpiece: The Quest for Recognition 64
4 Examining the Role of UNESCO and Intangible Cultural Heritage 89
5 Elements of Resilience: Stable and Malleable 108
6 Epic Revitalization: Negotiating Identities and Other Challenges 135
7 Ensuring Sustainability through Transmission and Innovation 156
Glossary of Russian and Sakha Words 163
Notes 165
Works Cited 203
Index 225
