Description

Book Synopsis
A comprehensive guide to visual storytelling from Savannah College of Art and Design (SCAD), one of the world's leaders in sequential arts instruction. Storyboarding is the process of graphically organizing a project--a motion picture, animation, motion graphic, or interactive media sequence--in order to translate artists' ideas from story to screen. Whether you're a filmmaker, animator, ad director, writer, or video-game artist--storyboarding is a skill that is absolutely critical. Storyboarding Essentials covers everything students and working professionals need to master the art of writing and formatting scripts, creating frames, and following visual logic to create a cohesive narrative.

Table of Contents
Contents

Foreword, by Stratton Leopold
Introduction
1. What Is Storyboarding?
The Types of Storyboards
A Visual Road Map
2. Interpreting the Written Word
Script Basics
Script Breakdowns
Spec Scripts Versus Shooting Scripts
“And Now, a Word from Our Sponsor”
Exercise: Script Breakdowns and Thumbnails
A Difference of Opinion: The Great Savannah Race
Interview: Kenny Chaplin, DGA/DGC
3. Rendering
Rough or Polished Finish
Little Drawings, Big Ideas
The Right Tool for the Job
Compositing
A Difference of Opinion: Un-Deadwood
Interview: Keith Ingham
4. Principles, Elements, and Conventions
Aspect Ratios
Getting Started
Blocking the Composition
Staying Organized
Numbering
How to Insert Shots
Exercise: Numbering
5. Continuity
What Is Continuity?
Axis and Allies
Breaking the Axis
30 Degrees of Separation
Neutralizing and Cutaway Shots
Screen Direction and Visual Logic
Avoiding Confusion
Building Tension and Creating a Surprise
Don’t Turn Around
A Difference of Opinion: Hyde from Jekyll—the Chase
6. What the Camera Sees
The Camera
Deep and Wide
Shooting on Location
Framing Heights and Angles
Other Shots to Consider
Cut to the Chase
Behind the Scenes
Exercise: Identifying Framing Heights and Angles
7. Move Me!
No Reaction Without “Action!”
Movements
Drawings Versus Diagrams
Camera Moves as Drawings
Photomatics and Digimatics
Order Out of Chaos
Exercise: Movement Calls
A Difference of Opinion: Hyde from Jekyll—Transmogrification
Interview: Whitney Cogar
8. The Martini Shot
Putting It All Together
A Toast to Storyboarding
Afterword: Humans Tell Stories, by Tina O’Hailey
Appendix
Index

Storyboarding Essentials SCAD Creative Essentials

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    £16.99

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    Order before 4pm today for delivery by Thu 9 Jul 2026.

    A Paperback / softback by David Harland Rousseau, Benjamin Reid Phillips

    10 in stock

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      View other formats and editions of Storyboarding Essentials SCAD Creative Essentials by David Harland Rousseau

      Publisher: Watson-Guptill Publications
      Publication Date: 25/06/2013
      ISBN13: 9780770436940, 978-0770436940
      ISBN10: 0770436943

      Description

      Book Synopsis
      A comprehensive guide to visual storytelling from Savannah College of Art and Design (SCAD), one of the world's leaders in sequential arts instruction. Storyboarding is the process of graphically organizing a project--a motion picture, animation, motion graphic, or interactive media sequence--in order to translate artists' ideas from story to screen. Whether you're a filmmaker, animator, ad director, writer, or video-game artist--storyboarding is a skill that is absolutely critical. Storyboarding Essentials covers everything students and working professionals need to master the art of writing and formatting scripts, creating frames, and following visual logic to create a cohesive narrative.

      Table of Contents
      Contents

      Foreword, by Stratton Leopold
      Introduction
      1. What Is Storyboarding?
      The Types of Storyboards
      A Visual Road Map
      2. Interpreting the Written Word
      Script Basics
      Script Breakdowns
      Spec Scripts Versus Shooting Scripts
      “And Now, a Word from Our Sponsor”
      Exercise: Script Breakdowns and Thumbnails
      A Difference of Opinion: The Great Savannah Race
      Interview: Kenny Chaplin, DGA/DGC
      3. Rendering
      Rough or Polished Finish
      Little Drawings, Big Ideas
      The Right Tool for the Job
      Compositing
      A Difference of Opinion: Un-Deadwood
      Interview: Keith Ingham
      4. Principles, Elements, and Conventions
      Aspect Ratios
      Getting Started
      Blocking the Composition
      Staying Organized
      Numbering
      How to Insert Shots
      Exercise: Numbering
      5. Continuity
      What Is Continuity?
      Axis and Allies
      Breaking the Axis
      30 Degrees of Separation
      Neutralizing and Cutaway Shots
      Screen Direction and Visual Logic
      Avoiding Confusion
      Building Tension and Creating a Surprise
      Don’t Turn Around
      A Difference of Opinion: Hyde from Jekyll—the Chase
      6. What the Camera Sees
      The Camera
      Deep and Wide
      Shooting on Location
      Framing Heights and Angles
      Other Shots to Consider
      Cut to the Chase
      Behind the Scenes
      Exercise: Identifying Framing Heights and Angles
      7. Move Me!
      No Reaction Without “Action!”
      Movements
      Drawings Versus Diagrams
      Camera Moves as Drawings
      Photomatics and Digimatics
      Order Out of Chaos
      Exercise: Movement Calls
      A Difference of Opinion: Hyde from Jekyll—Transmogrification
      Interview: Whitney Cogar
      8. The Martini Shot
      Putting It All Together
      A Toast to Storyboarding
      Afterword: Humans Tell Stories, by Tina O’Hailey
      Appendix
      Index

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