Description
Book SynopsisA comprehensive , ambitious, and demanding critique of eighteenth-century English and French fiction,
Story and History rereads the major works of the period as components in a systematic exploration of how the ordering of experience by individuals might relate to larger orders of authority. Interpreting the evolving thematic pattern of fiction in both countries as a plot in its own right, William Ray argues that the novel''s rise in the eighteenth century coincided with a growing conviction - which the genre both reflected and fostered - that selfhood, social identity, public authority, and ultimately even historical truth and cultural values, all hinge on narrative representation.
From the early novels of individualism, which emphasize the relating of personal experience as a means of altering social hierarchies and securing privileges for the exceptional individual, to the later metanovels, whose complex dialectical models of history both invite and exclude manipula
Table of Contents
Private lives and public stories; personal ordering and providential order; negotiating reality; individualism and authority; the seduction of the self; from private narration to public narrative; textualizing the self; the necessary other - the dialogical structure of the self; self-ish narration and the authorial self; the emergence of literary authority; exemplification and the authoring of utopia; ironizing history; the great scroll of history; self emplotment and the implication of the reader.
