Description

Originally written as a series of viral Facebook posts, then released as a cult hit in St. Petersburg, Meshchaninova’s serialized memoir-novel tackles gender politics and abuse with honest, cutting language. Stories of A Life depicts the life of Natasha, a young woman who suffers abuse first at the hands of her stepfather Sasha and then by young men in the village nearby. This powerful, postmodern novel witnesses the Dickensian struggles of provincial life and reckons with the complicity of fellow women. Starkly down-to-earth yet funny and informal, Stories of A Life demands that we bear witness to the bleakness of a young womanhood in post-Soviet Russia. Meshchaninova is held in high regard as part of a new wave of women filmmakers in Russia, and with this collection cements her position as a woman willing to stare down the viewer and demand complicity.

Stories of a Life

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Paperback / softback by Nataliya Meshchaninova , Fiona Bell

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Short Description:

Originally written as a series of viral Facebook posts, then released as a cult hit in St. Petersburg, Meshchaninova’s serialized... Read more

    Publisher: Deep Vellum Publishing
    Publication Date: 17/03/2022
    ISBN13: 9781646051151, 978-1646051151
    ISBN10: 1646051157

    Number of Pages: 112

    Fiction , Contemporary Fiction

    Description

    Originally written as a series of viral Facebook posts, then released as a cult hit in St. Petersburg, Meshchaninova’s serialized memoir-novel tackles gender politics and abuse with honest, cutting language. Stories of A Life depicts the life of Natasha, a young woman who suffers abuse first at the hands of her stepfather Sasha and then by young men in the village nearby. This powerful, postmodern novel witnesses the Dickensian struggles of provincial life and reckons with the complicity of fellow women. Starkly down-to-earth yet funny and informal, Stories of A Life demands that we bear witness to the bleakness of a young womanhood in post-Soviet Russia. Meshchaninova is held in high regard as part of a new wave of women filmmakers in Russia, and with this collection cements her position as a woman willing to stare down the viewer and demand complicity.

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