Description
Book SynopsisExamines the history of Italian celebrity culture and ponders the changing qualities of stardom. This book examines the phenomenon of the diva in the European cinema, the invention of new stars in the sound cinema, and the postwar impact on stardom through the introduction of changing forms of narration in popular genres.
Trade ReviewWriting on the nexus of aesthetics and politics, Landy (Univ. of Pittsburgh) prefers the filmic text over extra-filmic elements. She describes how in the Italian silent cinema, the "diva" and "divo" bridged tradition and modernity; how, in 1930s sound films, the star fired popular culture fascination but was de-idealized; and how Mussolini used cinema to project his virile image. Then, writes the author, as neorealism reworked old genres it remade old stars and reconceived the male and female body. Anna Magnani typified the resurgence of stardom. In the popular genres in the 1950s, stars embodied the quest for national identity in the changing social milieu. In discussing the 1960s, Landy looks at the social concern of comedies and how international stars (e.g., Marcello Mastroianni, Sophia Loren, Vittorio Gassman, Alberto Sordi, Monica Vitti) showed commonsense surviving in a threatening climate. Landy also discusses television, co-productions, the spaghetti western, horror films, and the emerging stardom of the director (Federico Fellini, Lena Wertmüller, Roberto Benigni, Dario Argento). A postscript proffers Italian President Silvio Berlusconi as televisual star, a wishful reflection of power and affluence. This comprehensive study of Italian stardom is closely argued, clearly written, and rich in detail and insight. Summing Up: Recommended. Lower-division undergraduates through faculty and professionals. -- ChoiceM. Yacowar, emeritus, University of Calgary, December 2008
"Marcia Landy has produced a wonderful and in many ways path-breaking examination of the history of Italian stardom from silent film to the present.... The book is rich in stimulating observations and thought-provoking propositions. As with other works by Professor Landy it is the fruit of an ideal blend of theoretical insights and historically grounded film analysis." —Ruth Ben-Ghiat, New York University
Table of ContentsContents<\>
Acknowledgments
Introduction
1. Eloquent Bodies: The Cinema of Divismo
2. The Stars Talk
3. Stars amidst the Ruins: The Old and the New
4. Popular Genres and Stars
5. Starring Directors and Directing Stars: The Cinematic Landscape and Its Changing Bodies
Epilogue: An End to Stardom?
A Postscript
Notes
Bibliography
Index
