Description

Book Synopsis

Star Wars defined popular, big-screen science fiction. Still, what many viewers best recall is assertive, hilarious Leia, the diminutive princess with a giant blaster who had to save them all. As the 1977 film arrived, women were marching for equality and demanding equal pay, with few onscreen role models. Leia echoed their struggle and showed them what they could be. Two more films joined in, though by the early eighties, post-feminism was pushing back and shoving the tough heroine into her pornographic gold bikini. After a sixteen-year gap, the prequels catered to a far different audience. Queen Amidala's decoy power originates in how dominated she is by her massive royal gowns. This obsession with fashion but also costuming as a girly superpower fits well with the heroines of the time. The third wavers filled the screens with glamorous, mighty girls strong but not too strong, like the idealistic teen Ahsoka of Clone Wars. However, space colonialism, abusive romance, and sacrific

Trade Review
Valerie Estelle Frankel approaches Star Wars as more than a collection of multi-media narratives; she frames the franchise as a not-so-far-away galaxy of intertwined stories, perspectives, cultural touchstones, and identities. Like the force itself, this book connects the seemingly disparate, bringing into conversation the voices of feminist theorists and film critics with fans, actors, and directors. The result is a wide-reaching and useful analysis of Star Wars films, novels, comics, television shows, and even merchandise. -- Tony Vinci, Ohio University-Chillicothe
In this bold, ambitious work, Frankel demonstrates the importance of understanding Star Wars texts in light of the four waves of American feminism. Her work will be particularly interesting to the legions of fans who came of age in the 1970s and beyond, who have been influenced particularly by second and third wave feminism. Well-researched and well-grounded in both popular culture and feminist studies, this book is theoretically important and yet accessible to general readers. It is an important text for readers interested in popular culture studies, women's and gender studies, and fandom and media studies. -- Veronica A. Wilson, University of Pittsburgh at Johnstown

Table of Contents

Introduction

Part I: The Original Trilogy Meets Seventies Feminism

1. The Mighty Token Female

Part II: The Girl Power Prequel Era

2. Warrior Queen Turned Romance Heroine

3. Introducing the Legends: Mara, Jaina, and the New Jedi Order

4. The Butt-Kicking Teen: Ahsoka

Part III: The Fourth Wave Hits the Sequel Era

5. Rey, Maz, Rose, Leia, Holdo, and Phasma

6. Redefining Cartoons: Star Wars Rebels

7. From Picture Books to Forces of Destiny: Multimedia for Younger Fans

8. Rewriting the Galaxy with Rogue One

9. Balanced Genders: Disney’s Original Era Comics

10. Back to the Binary Solo Western

Conclusion: The Lasting Legacy

Star Wars Meets the Eras of Feminism

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    A Paperback by Valerie Estelle Frankel

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      Publisher: Lexington Books
      Publication Date: 1/15/2020 12:05:00 AM
      ISBN13: 9781498583886, 978-1498583886
      ISBN10: 1498583881

      Description

      Book Synopsis

      Star Wars defined popular, big-screen science fiction. Still, what many viewers best recall is assertive, hilarious Leia, the diminutive princess with a giant blaster who had to save them all. As the 1977 film arrived, women were marching for equality and demanding equal pay, with few onscreen role models. Leia echoed their struggle and showed them what they could be. Two more films joined in, though by the early eighties, post-feminism was pushing back and shoving the tough heroine into her pornographic gold bikini. After a sixteen-year gap, the prequels catered to a far different audience. Queen Amidala's decoy power originates in how dominated she is by her massive royal gowns. This obsession with fashion but also costuming as a girly superpower fits well with the heroines of the time. The third wavers filled the screens with glamorous, mighty girls strong but not too strong, like the idealistic teen Ahsoka of Clone Wars. However, space colonialism, abusive romance, and sacrific

      Trade Review
      Valerie Estelle Frankel approaches Star Wars as more than a collection of multi-media narratives; she frames the franchise as a not-so-far-away galaxy of intertwined stories, perspectives, cultural touchstones, and identities. Like the force itself, this book connects the seemingly disparate, bringing into conversation the voices of feminist theorists and film critics with fans, actors, and directors. The result is a wide-reaching and useful analysis of Star Wars films, novels, comics, television shows, and even merchandise. -- Tony Vinci, Ohio University-Chillicothe
      In this bold, ambitious work, Frankel demonstrates the importance of understanding Star Wars texts in light of the four waves of American feminism. Her work will be particularly interesting to the legions of fans who came of age in the 1970s and beyond, who have been influenced particularly by second and third wave feminism. Well-researched and well-grounded in both popular culture and feminist studies, this book is theoretically important and yet accessible to general readers. It is an important text for readers interested in popular culture studies, women's and gender studies, and fandom and media studies. -- Veronica A. Wilson, University of Pittsburgh at Johnstown

      Table of Contents

      Introduction

      Part I: The Original Trilogy Meets Seventies Feminism

      1. The Mighty Token Female

      Part II: The Girl Power Prequel Era

      2. Warrior Queen Turned Romance Heroine

      3. Introducing the Legends: Mara, Jaina, and the New Jedi Order

      4. The Butt-Kicking Teen: Ahsoka

      Part III: The Fourth Wave Hits the Sequel Era

      5. Rey, Maz, Rose, Leia, Holdo, and Phasma

      6. Redefining Cartoons: Star Wars Rebels

      7. From Picture Books to Forces of Destiny: Multimedia for Younger Fans

      8. Rewriting the Galaxy with Rogue One

      9. Balanced Genders: Disney’s Original Era Comics

      10. Back to the Binary Solo Western

      Conclusion: The Lasting Legacy

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