Description
Book SynopsisStanislavsky and Race is the first book to explore the role that Konstantin Stanislavsky's system and its legacies can play in building, troubling and illuminating today's anti-racist theatre practices.
This collection of essays from leading figures in the field of actor training stands not only as a resource for a new area of academic enquiry, but also for students, actors, directors, teachers and academics who are engaged in making inclusive contemporary theatre. In seeking to dismantle the dogma that surrounds much actor training and replace it with a culturally competent approach that will benefit our entire community, the system is approached from a range of perspectives featuring the research, reflections and provocations of 20 different international artists interrogating Stanislavsky's approach through the lens of race, place and identity.
Stanislavsky and is a series of multi-perspectival collections that bring the enduring legacy of Stanislav
Table of Contents
1. Re/Gaining Trust: The "System" and the System of Actor Training
Sylvan Baker, Zuri Eshun and James Palm
A Reflection on Re/Gaining Trust: Revelation and Responsibility
Joe Wilson, Jr
2. Black British Perspectives, Pedagogy and Power: Addressing the Canon through S.P.H.E.R.E.
Gemma Crooks and Erica Jeffrey
3. Logunedé in Salem: Making Sense of Stanislavsky’s Last Experiments in Contemporary Brazil
Diego Moschkovich
4. Emotion Memory versus Physical Action: Towards Anti-racist Pedagogies that Make Way for Critical Praxis
Evi Stamatiou
5. Breaking Away: Latinidad and Moving Beyond the "System"
Marissa Chibás, Michelle Jasso and Tlaloc Rivas with Siiri Scott
A Reflection on Breaking Away: Looking through All Kinds of Windows
Sandra Marquez
6. A Jewish Journey: Stanislavsky’s "System" to the American Method
Conrad Cohen
7. The Intracultural Project: Creating an Inclusive Rehearsal Room Beyond Stanislavsky
Kristine Landon-Smith and Dominic Hingorani
A Reflection on The Intracultural Project: Mabuhay as an Act of Resistance
James Cooney
8. Stanislavsky, Rose McClendon and Reparations: Whiteness, Professionalization and Reframing Amateurism in the Theater of the United States
Amy Steiger
9. I Ain’t Studyin’ Stanislavsky: We Are the Key to Reimagining 21st-Century Actor Training
Monica White Ndounou
