Description

Book Synopsis

Colour is a sensation and as such it is a subjective and incommunicable quantity. Colour measurement is possible because we can create a correspondence between colour sensations and the light radiations that stimulate them. This correspondence concerns the physics of light radiation, the physiology of the visual process and the psychology of vision.

Historically, in parallel to standard colorimetry, systems for colour ordering have been developed that allow colour specifications in a very practical and concrete way, based on the direct vision of material colour samples arranged in colour atlases. Colour-ordering systems are sources of knowledge of colour vision, which integrate standard colorimetry.

Standard Colorimetry: Definitions, Algorithms and Software:

  • Describes physiology and psychophysics useful to understand colorimetry
  • Considers all the photometric and colorimetric systems standardized by CIE (XYZ, CIELAB, CIELUV, LMS
    Table of Contents

    Society of Dyers and Colourists xv

    Preface xvii

    1 Generalities on Colour and Colorimetry 1

    1.1 Colour 1

    1.2 Colorimetry 2

    References 4

    Bibliography 4

    2 Optics for Colour Stimulus 5

    2.1 Introduction 5

    2.2 Electromagnetic Waves 7

    2.3 Photons 11

    2.4 Radiometric and Actinometric Quantities 11

    2.5 Inverse Square Law 14

    2.6 Photometric Quantities 14

    2.7 Retinal Illumination 16

    References 16

    Bibliography 16

    3 Colour and Light–Matter Interaction 17

    3.1 Introduction 17

    3.1.1 Luminous Colours 17

    3.1.2 Non]luminous Colours 18

    3.1.3 Light Phenomena and Body Appearance 18

    3.2 Light Sources 19

    3.3 Planckian Radiator 20

    3.4 Light Regular Reflection and Refraction 21

    3.4.1 Snell’s Laws 22

    3.4.2 Fresnel’s Laws 23

    3.5 Light Scattering 24

    3.5.1 Lambertian Diffusion 25

    3.5.2 Light Scattering on a Rough Surface 25

    3.5.3 Light Scattering in an Optically Heterogeneous Medium 26

    3.6 Light Absorption and Colour Synthesis 28

    3.6.1 Simple Subtractive Synthesis 28

    3.6.2 Complex Subtractive Synthesis 28

    3.7 Fluorescence 29

    3.8 Transparent Media 30

    3.8.1 Internal Transmittance of a Medium 30

    3.8.2 Total Transmittance and Total Reflectance 32

    3.9 Turbid Media 33

    3.9.1 Two]Flux Model of Kubelka–Munk 34

    3.9.2 Saunderson’s Equation 36

    3.9.3 Colorant Characterization and Formulation 38

    3.10 Ulbricht’s Integration Sphere 41

    References 43

    Bibliography 44

    4 Perceptual Phenomenology of Light and Colour 45

    4.1 Introduction 45

    4.2 Perceived Colours, Categorization and Language 46

    4.3 Light Dispersion and Light Mixing 47

    4.3.1 Newton’s Prism Experiment, Colour Wheel and Colour Attributes 48

    4.3.2 Maxwell’s Disk Experiment 50

    4.4 Unique Hues, Colour Opponencies and Degree of Resemblance 52

    4.5 Colour Similitude 55

    4.6 Unrelated and Related Colours 56

    4.6.1 Relative Attributes 56

    4.7 Colour Interactions 57

    References 65

    5 Visual System 67

    5.1 Introduction 67

    5.2 Eye Anatomy and Optical Image Formation 68

    5.3 Eye and Pre]retina Physics 72

    5.4 Anatomy of the Retina 74

    5.4.1 Retina Layers 76

    5.4.2 Fovea 77

    5.4.3 Foveola 78

    5.4.4 Extra Fovea 78

    5.4.5 Macula Lutea 79

    5.4.6 Rod and Cone Distribution 79

    5.5 From the Retina to the Brain 80

    5.5.1 Scotopic Vision 80

    5.5.2 Photopic Trichromatic Vision 81

    5.5.3 Rushton’s Univariance Principle and Photoreceptor Activation 82

    5.5.4 Horizontal Cells 83

    5.5.5 Bipolar Cells 83

    5.5.6 Amacrine Cells 84

    5.5.7 Ganglion Cells and Visual Pathways 84

    5.5.8 From the Ganglion Cells to the Visual Cortex 85

    5.6 Visual System and Colorimetry 87

    Bibliography 88

    References 88

    6 Colour]Vision Psychophysics 91

    6.1 Introduction 91

    6.1.1 Psychophysics and Physiology 91

    6.1.2 Visual Judgement 92

    6.1.3 Modes of Colour Appearance and Viewing Situations 93

    6.1.4 Colour Stimuli 95

    6.1.5 Colour]Attribute Matching 98

    6.1.6 Visual Detection Threshold and Sensitivity 99

    6.1.7 Scaling of Colour Attributes 100

    6.2 Adaptation 103

    6.2.1 Brightness Adaptation 105

    6.2.2 Threshold in Dark Adaptation 106

    6.3 Absolute Thresholds in Human Vision 108

    6.4 Absolute Threshold and Spectral Sensitivity in Scotopic and Photopic Visions 108

    6.4.1 Silent Substitution Method 109

    6.5 Luminous Efficiency Function 113

    6.5.1 Abney Additivity Law and Luminance 114

    6.6 Light Adaptation and Sensitivity 116

    6.7 Weber’s and Fechner’s Laws 118

    6.7.1 Contrast Sensitivity 119

    6.7.2 Fechner’s Scaling 119

    6.8 Stevens’ Law 119

    6.8.1 Brightness Scaling and Stevens’ Law 119

    6.9 Fechner’s and Stevens’ Psychophysics 121

    6.10 Wavelength Discrimination 121

    6.11 Saturation Discrimination and Least Colorimetric Purity 123

    6.12 Rushton’s Univariance Principle and Scotopic Vision 124

    6.13 Tristimulus Space 125

    6.13.1 Rushton’s Univariance Principle and Grassmann’s Laws in Photopic Vision 126

    6.13.2 Metamerism 130

    6.13.3 Chromaticity 131

    6.13.4 Reference Frames in Tristimulus Space 132

    6.13.5 Measurement of the Colour-Matching Functions in the RGB Reference Frame 134

    6.13.6 Luminance and Exner-Schrödinger’s ‘Helligkeit’ Equation 139

    6.13.7 Dichromats and Fundamental Reference Frame 141

    6.13.8 Newton’s Centre]of]Gravity Rule and Chromaticity]Diagram Properties 145

    6.14 Lightness Scales 149

    6.15 Helmholtz-Kohlrausch Effect 150

    6.16 Colour Opponencies and Chromatic Valence 153

    6.17 MacAdam’s Chromatic Discrimination Ellipses 155

    6.18 Perceived Colour Difference 156

    6.19 Abney’s and Bezold-Brücke’s Phenomena 161

    6.20 Chromatic Adaptation and Colour Constancy 164

    6.20.1 Asymmetric Colour Matching 165

    6.20.2 Empirical Data 166

    6.20.3 Von Kries’s Coefficient Law 166

    6.20.4 Retinex 168

    6.21 Colour]Vision Psychophysics and Colorimetry 170

    References 171

    7 CIE Standard Photometry 177

    7.1 Introduction 177

    7.2 History of the Basic Photometric Unit 180

    7.3 CIE 1924 Spectral Luminous Efficiency Function 180

    7.4 CIE 1924 and CIE 1988 Standard Photometric Photopic Observers 181

    7.5 Photometric and Radiometric Quantities 182

    7.6 CIE 1951 Standard Scotopic Photometric Observer 185

    7.7 CIE 2005 Photopic Photometric Observer with 10° Visual Field 185

    7.8 CIE Fundamental Photopic Photometric Observer with 2°/10° Visual Field 185

    7.8.1 Photopic Spectral Luminous Efficiency Functions for the 2° Fundamental Observer 186

    7.8.2 Photopic Spectral Luminous Efficiency Functions for the 10° Fundamental Observer 186

    References 186

    8 Light Sources and Illuminants for Colorimetry 189

    8.1 Introduction 189

    8.2 Equal]Energy Illuminant 190

    8.3 Blackbody Illuminant 191

    8.4 CIE Daylights 193

    8.5 CIE Indoor Daylights 195

    8.6 CIE Standard Illuminants 196

    8.7 CIE Light Sources: A, B and C 197

    8.8 CIE Sources for Colorimetry 198

    8.9 CIE Illuminants: B, C and D 199

    8.10 Fluorescent Lamps 199

    8.10.1 Typical Fluorescent Lamps 199

    8.10.2 New Set of Fluorescent Lamps 200

    8.11 Gas]Discharge Lamps 204

    8.12 Light]Emitting Diodes 205

    References 208

    9 CIE Standard Psychophysical Observers and Systems 209

    9.1 Introduction 209

    9.2 CIE 1931 Standard Colorimetric System and Observer 210

    9.2.1 CIE 1931 RGB Reference Frame and WDW Chromaticity]Coordinates Normalization 211

    9.2.2 CIE 1931 XYZ Reference Frame 214

    9.3 CIE 1964 (Supplementary) Standard Colorimetric Observer/System (10°]Standard Colorimetric Observer) 218

    9.4 CIE 1989 Standard Deviate Observer/System 221

    9.5 Vos’ 1978 Modified Observer for 2° Visual Field 221

    9.5.1 Smith–Pokorny’s Cone Fundamentals 223

    9.5.2 Vos’ 1978 2° Fundamental Observer Data and MacLeod–Boynton’s Chromaticity Diagram 223

    9.6 CIE Standard Stockman]Sharpe’s ‘Physiologically Relevant’ Fundamentals and XYZ Reference Frame 224

    9.6.1 XFYFZF and XF,10YF,10ZF,10 Reference Frames 226

    9.6.2 MacLeod-Boynton’s Tristimulus Space and Chromaticity Diagram 229

    9.7 CIE Colorimetric Specification of Primary and Secondary Light Sources 232

    References 234

    10 Chromaticity Diagram from Newton to the CIE 1931 Standard System 237

    10.1 Introduction 237

    10.2 Newton and the Centre of Gravity Rule 237

    10.3 Material Colours and Impalpable Colours in the Eighteenth Century 243

    10.4 Physiological Intuitions and the Centre of Gravity Rule – Young, Grassmann, Helmholtz, Maxwell and Schrödinger 245

    10.5 Conclusion 251

    References 251

    11 CIE Standard Psychometric Systems 253

    11.1 Introduction to Psychometric Systems in Colour Vision 253

    11.2 CIE Lightness L* 254

    11.3 Psychometric Chromaticity Diagrams and Related Colour Spaces 255

    11.3.1 CIE 1960 (u, v) UCS Psychometric Chromaticity Diagram 255

    11.3.2 CIE 1964 (U*, V*, W*) Uniform Colour Space – CIEUVW Colour Space 257

    11.3.3 CIE 1976 (u′, v′) UCS Psychometric Chromaticity Diagram 257

    11.3.4 CIE 1976 (L*, u*, v*) Colour Space – CIELUV Colour Space 259

    11.3.5 CIE 1976 (L*, a*, b*) Colour Space – CIELAB Colour Space 261

    11.4 Colour Difference Specification 264

    11.4.1 Colour Difference Data 264

    11.4.2 CIE 1976 Colour]Difference Formulae 265

    11.4.3 CMC(l : c) Colour]Difference Formula 266

    11.4.4 CIE 1994 Colour]Difference Formula 267

    11.4.5 CIEDE2000 Total Colour]Difference Formula 268

    11.4.6 Small Colour Differences in OSA]UCS Space 270

    11.4.7 Metamerism Indices 270

    11.4.8 Daylight]Simulator Evaluation and ‘Special Metamerism Index: Change in Illuminant’ 273

    11.5 Conclusion 276

    References 276

    12 Instruments and Colorimetric Computation 279

    12.1 Introduction 279

    12.2 Reflection and Transmission Optical]Modulation 282

    12.2.1 Absolute Quantities of Optical]Modulation 282

    12.2.2 Relative Quantities of Optical]Modulation 283

    12.3 Spectroradiometric and Spectrophotometric Measurements 296

    12.3.1 Introduction to the Spectrometer 296

    12.3.2 Instrumental Convolution 303

    12.3.3 Deconvolution 308

    12.4 Colorimetric Calculations 309

    12.4.1 CIE Colour Specification 309

    12.4.2 Relative Colour Specification 310

    12.4.3 Deconvolution 312

    12.4.4 Interpolation 313

    12.4.5 Extrapolation 315

    12.5 Uncertainty in Colorimetric Measurements 315

    12.5.1 Laws of Propagation of Uncertainty 317

    12.5.2 Uncertainty Computation 318

    12.6 Physical Standards for Colour]Instrument Calibration 320

    References 322

    13 Basic Instrumentation for Radiometry, Photometry and Colorimetry 325

    13.1 Introduction 325

    13.2 Lighting Cabinet 327

    13.3 Visual Comparison Colorimeter 329

    13.4 Instruments with Power Spectral Weighting Measurement 330

    13.4.1 Photometric Instruments 330

    13.4.2 Colorimetric Instruments 332

    13.5 Instruments for Measurements with Spectral Analysis 336

    13.5.1 Spectroradiometer 336

    13.5.2 Spectrophotometer 337

    13.5.3 Multiangle Spectrophotometers 337

    13.5.4 Fibre]Optic]Reflectance Spectroscopy (FORS) 338

    13.6 Glossmeter 341

    13.7 Imaging Instruments 343

    13.7.1 Imaging Photometer 343

    13.7.2 Colorimetric Camera 344

    13.7.3 Multispectral and Hyperspectral Camera 344

    References 346

    14 Colour]Order Systems and Atlases 349

    14.1 Introduction 349

    14.2 Colour Solid, Optimal Colours and Full Colours 351

    14.2.1 MacAdam’s Limit 354

    14.3 Ostwald’s Colour]Order System and Atlas 354

    14.3.1 Ostwald’s Hue Circle with Temperate Scale 355

    14.3.2 Ostwald’s Semichrome 356

    14.3.3 Ostwald’s Blackness, Whiteness and Purity 357

    14.3.4 Ostwald’s Atlas 358

    14.4 Munsell’s Colour]Order System and Atlas 360

    14.4.1 Munsell’s Instruments 362

    14.4.2 Chromatic Tuning Fork 362

    14.4.3 Munsell’s Value and Grey Scale 364

    14.4.4 Munsell’s Hue 365

    14.4.5 Munsell’s Value in Coloured Scales 367

    14.4.6 Colour Sphere and Munsell’s Colour Specification 367

    14.4.7 Munsell’s Chroma 369

    14.4.8 Colour Tree 369

    14.4.9 Munsell’s System and CIE Chromaticity Specification 369

    14.4.10 Helmholtz-Kohlrausch’s Effect and Abney’s Hue Shift Phenomenon in the Munsell Atlas 371

    14.4.11 Munsell’s Colour Atlas 371

    14.5 DIN 6264’s Colour]Order System and Atlas 372

    14.6 OSA]UCS’s Colour]Order System and Atlas 374

    14.6.1 OSA]UCS’s Lightness 376

    14.6.2 OSA]UCS’s (g, j) Coordinates 377

    14.6.3 OSA]UCS’s Colour Difference Formula 379

    14.6.4 OSA]UCS’s Metrics 379

    14.7 NCS’s Colour]Order System and Atlas 380

    14.7.1 NCS’s Axioms 381

    14.7.2 NCS’s Hue, Chromaticness and Nuance 382

    14.7.3 Production of the NCS System and Visual Situation 384

    14.7.4 Psychophysics and Psychometrics for NCS 384

    14.7.5 Luminance Factor and NCS’s Whiteness Scale 385

    14.7.6 NCS’s Atlas 387

    References 387

    15 Additive Colour Synthesis in Images 391

    15.1 Introduction 391

    15.2 Video Colour Image 392

    15.2.1 RGB Colorimetry 395

    15.2.2 Video Signal and γ Correction 397

    15.2.3 Tristimulus Space and YIQ Reference Frame 401

    15.2.4 sRGB System 404

    15.2.5 Prints in the sRGB System 406

    15.2.6 Camera, Photo]Site and Pixel 406

    15.2.7 Spectral Sensitivities of Digital Cameras 409

    15.3 Principles of Halftone Printing 412

    15.4 Towards the Colorimetry of Appearance 419

    References 420

    16 Software (Software developed by Gabriele Simone) 423

    16.1 Introduction to the Software 423

    16.1.1 Software Installation 423

    16.1.2 Data Files 425

    16.2 Monitor 429

    16.2.1 Monitor Setup 429

    16.2.2 Visual Evaluation of Gamma (γ) 430

    16.3 Colour]Vision Tests 432

    16.4 Visual Contrast Phenomena 440

    16.4.1 Simultaneous Brightness Contrast and Crispening 440

    16.4.2 Simultaneous Brightness Contrast in Colour Scales 441

    16.4.3 Brightness and Chromatic Contrast 442

    16.4.4 After Image 442

    16.5 Colour Atlases 443

    16.5.1 Ostwald’s Atlas 444

    16.5.2 Munsell’s Atlas 444

    16.5.3 DIN’s Atlas 444

    16.5.4 OSA]UCS’ Atlas 446

    16.5.5 NCS’ Atlas 447

    16.6 CIE 1976 CIELUV and CIELAB Systems 448

    16.7 Cone Activation and Tristimulus 450

    16.8 CIE Colorimetry 451

    16.8.1 CIE Colour Specification 452

    16.8.2 CIE Systems 456

    16.8.3 Chromaticity Diagrams 459

    16.8.4 Fundamental Observers 462

    16.8.5 Dominant Wavelength and Purity 463

    16.8.6 Tristimulus Space Transformations 463

    16.8.7 Colour]Difference Formulae ΔE 464

    16.8.8 CIE 1974 Colour Rendering Index Ra 465

    16.9 Black Body and Daylight Spectra and Other CIE Illuminant Spectra 470

    16.10 Additive Colour Synthesis 471

    16.10.1 RGB Monitor, Additive Colour Mixture 472

    16.10.2 Halftone CMY Printing 472

    16.11 Subtractive Colorant Mixing 474

    16.11.1 Two Pigment Mixture 475

    16.11.2 Four Pigment Mixture 475

    16.12 Spectral Data View and Download – Illuminant-Observer Weights 478

    16.13 Save File Opening 478

    References 480

    Index 481

Standard Colorimetry

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      Publisher: John Wiley & Sons Inc
      Publication Date: 25/12/2015
      ISBN13: 9781118894446, 978-1118894446
      ISBN10: 1118894448
      Also in:
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      Description

      Book Synopsis

      Colour is a sensation and as such it is a subjective and incommunicable quantity. Colour measurement is possible because we can create a correspondence between colour sensations and the light radiations that stimulate them. This correspondence concerns the physics of light radiation, the physiology of the visual process and the psychology of vision.

      Historically, in parallel to standard colorimetry, systems for colour ordering have been developed that allow colour specifications in a very practical and concrete way, based on the direct vision of material colour samples arranged in colour atlases. Colour-ordering systems are sources of knowledge of colour vision, which integrate standard colorimetry.

      Standard Colorimetry: Definitions, Algorithms and Software:

      • Describes physiology and psychophysics useful to understand colorimetry
      • Considers all the photometric and colorimetric systems standardized by CIE (XYZ, CIELAB, CIELUV, LMS
        Table of Contents

        Society of Dyers and Colourists xv

        Preface xvii

        1 Generalities on Colour and Colorimetry 1

        1.1 Colour 1

        1.2 Colorimetry 2

        References 4

        Bibliography 4

        2 Optics for Colour Stimulus 5

        2.1 Introduction 5

        2.2 Electromagnetic Waves 7

        2.3 Photons 11

        2.4 Radiometric and Actinometric Quantities 11

        2.5 Inverse Square Law 14

        2.6 Photometric Quantities 14

        2.7 Retinal Illumination 16

        References 16

        Bibliography 16

        3 Colour and Light–Matter Interaction 17

        3.1 Introduction 17

        3.1.1 Luminous Colours 17

        3.1.2 Non]luminous Colours 18

        3.1.3 Light Phenomena and Body Appearance 18

        3.2 Light Sources 19

        3.3 Planckian Radiator 20

        3.4 Light Regular Reflection and Refraction 21

        3.4.1 Snell’s Laws 22

        3.4.2 Fresnel’s Laws 23

        3.5 Light Scattering 24

        3.5.1 Lambertian Diffusion 25

        3.5.2 Light Scattering on a Rough Surface 25

        3.5.3 Light Scattering in an Optically Heterogeneous Medium 26

        3.6 Light Absorption and Colour Synthesis 28

        3.6.1 Simple Subtractive Synthesis 28

        3.6.2 Complex Subtractive Synthesis 28

        3.7 Fluorescence 29

        3.8 Transparent Media 30

        3.8.1 Internal Transmittance of a Medium 30

        3.8.2 Total Transmittance and Total Reflectance 32

        3.9 Turbid Media 33

        3.9.1 Two]Flux Model of Kubelka–Munk 34

        3.9.2 Saunderson’s Equation 36

        3.9.3 Colorant Characterization and Formulation 38

        3.10 Ulbricht’s Integration Sphere 41

        References 43

        Bibliography 44

        4 Perceptual Phenomenology of Light and Colour 45

        4.1 Introduction 45

        4.2 Perceived Colours, Categorization and Language 46

        4.3 Light Dispersion and Light Mixing 47

        4.3.1 Newton’s Prism Experiment, Colour Wheel and Colour Attributes 48

        4.3.2 Maxwell’s Disk Experiment 50

        4.4 Unique Hues, Colour Opponencies and Degree of Resemblance 52

        4.5 Colour Similitude 55

        4.6 Unrelated and Related Colours 56

        4.6.1 Relative Attributes 56

        4.7 Colour Interactions 57

        References 65

        5 Visual System 67

        5.1 Introduction 67

        5.2 Eye Anatomy and Optical Image Formation 68

        5.3 Eye and Pre]retina Physics 72

        5.4 Anatomy of the Retina 74

        5.4.1 Retina Layers 76

        5.4.2 Fovea 77

        5.4.3 Foveola 78

        5.4.4 Extra Fovea 78

        5.4.5 Macula Lutea 79

        5.4.6 Rod and Cone Distribution 79

        5.5 From the Retina to the Brain 80

        5.5.1 Scotopic Vision 80

        5.5.2 Photopic Trichromatic Vision 81

        5.5.3 Rushton’s Univariance Principle and Photoreceptor Activation 82

        5.5.4 Horizontal Cells 83

        5.5.5 Bipolar Cells 83

        5.5.6 Amacrine Cells 84

        5.5.7 Ganglion Cells and Visual Pathways 84

        5.5.8 From the Ganglion Cells to the Visual Cortex 85

        5.6 Visual System and Colorimetry 87

        Bibliography 88

        References 88

        6 Colour]Vision Psychophysics 91

        6.1 Introduction 91

        6.1.1 Psychophysics and Physiology 91

        6.1.2 Visual Judgement 92

        6.1.3 Modes of Colour Appearance and Viewing Situations 93

        6.1.4 Colour Stimuli 95

        6.1.5 Colour]Attribute Matching 98

        6.1.6 Visual Detection Threshold and Sensitivity 99

        6.1.7 Scaling of Colour Attributes 100

        6.2 Adaptation 103

        6.2.1 Brightness Adaptation 105

        6.2.2 Threshold in Dark Adaptation 106

        6.3 Absolute Thresholds in Human Vision 108

        6.4 Absolute Threshold and Spectral Sensitivity in Scotopic and Photopic Visions 108

        6.4.1 Silent Substitution Method 109

        6.5 Luminous Efficiency Function 113

        6.5.1 Abney Additivity Law and Luminance 114

        6.6 Light Adaptation and Sensitivity 116

        6.7 Weber’s and Fechner’s Laws 118

        6.7.1 Contrast Sensitivity 119

        6.7.2 Fechner’s Scaling 119

        6.8 Stevens’ Law 119

        6.8.1 Brightness Scaling and Stevens’ Law 119

        6.9 Fechner’s and Stevens’ Psychophysics 121

        6.10 Wavelength Discrimination 121

        6.11 Saturation Discrimination and Least Colorimetric Purity 123

        6.12 Rushton’s Univariance Principle and Scotopic Vision 124

        6.13 Tristimulus Space 125

        6.13.1 Rushton’s Univariance Principle and Grassmann’s Laws in Photopic Vision 126

        6.13.2 Metamerism 130

        6.13.3 Chromaticity 131

        6.13.4 Reference Frames in Tristimulus Space 132

        6.13.5 Measurement of the Colour-Matching Functions in the RGB Reference Frame 134

        6.13.6 Luminance and Exner-Schrödinger’s ‘Helligkeit’ Equation 139

        6.13.7 Dichromats and Fundamental Reference Frame 141

        6.13.8 Newton’s Centre]of]Gravity Rule and Chromaticity]Diagram Properties 145

        6.14 Lightness Scales 149

        6.15 Helmholtz-Kohlrausch Effect 150

        6.16 Colour Opponencies and Chromatic Valence 153

        6.17 MacAdam’s Chromatic Discrimination Ellipses 155

        6.18 Perceived Colour Difference 156

        6.19 Abney’s and Bezold-Brücke’s Phenomena 161

        6.20 Chromatic Adaptation and Colour Constancy 164

        6.20.1 Asymmetric Colour Matching 165

        6.20.2 Empirical Data 166

        6.20.3 Von Kries’s Coefficient Law 166

        6.20.4 Retinex 168

        6.21 Colour]Vision Psychophysics and Colorimetry 170

        References 171

        7 CIE Standard Photometry 177

        7.1 Introduction 177

        7.2 History of the Basic Photometric Unit 180

        7.3 CIE 1924 Spectral Luminous Efficiency Function 180

        7.4 CIE 1924 and CIE 1988 Standard Photometric Photopic Observers 181

        7.5 Photometric and Radiometric Quantities 182

        7.6 CIE 1951 Standard Scotopic Photometric Observer 185

        7.7 CIE 2005 Photopic Photometric Observer with 10° Visual Field 185

        7.8 CIE Fundamental Photopic Photometric Observer with 2°/10° Visual Field 185

        7.8.1 Photopic Spectral Luminous Efficiency Functions for the 2° Fundamental Observer 186

        7.8.2 Photopic Spectral Luminous Efficiency Functions for the 10° Fundamental Observer 186

        References 186

        8 Light Sources and Illuminants for Colorimetry 189

        8.1 Introduction 189

        8.2 Equal]Energy Illuminant 190

        8.3 Blackbody Illuminant 191

        8.4 CIE Daylights 193

        8.5 CIE Indoor Daylights 195

        8.6 CIE Standard Illuminants 196

        8.7 CIE Light Sources: A, B and C 197

        8.8 CIE Sources for Colorimetry 198

        8.9 CIE Illuminants: B, C and D 199

        8.10 Fluorescent Lamps 199

        8.10.1 Typical Fluorescent Lamps 199

        8.10.2 New Set of Fluorescent Lamps 200

        8.11 Gas]Discharge Lamps 204

        8.12 Light]Emitting Diodes 205

        References 208

        9 CIE Standard Psychophysical Observers and Systems 209

        9.1 Introduction 209

        9.2 CIE 1931 Standard Colorimetric System and Observer 210

        9.2.1 CIE 1931 RGB Reference Frame and WDW Chromaticity]Coordinates Normalization 211

        9.2.2 CIE 1931 XYZ Reference Frame 214

        9.3 CIE 1964 (Supplementary) Standard Colorimetric Observer/System (10°]Standard Colorimetric Observer) 218

        9.4 CIE 1989 Standard Deviate Observer/System 221

        9.5 Vos’ 1978 Modified Observer for 2° Visual Field 221

        9.5.1 Smith–Pokorny’s Cone Fundamentals 223

        9.5.2 Vos’ 1978 2° Fundamental Observer Data and MacLeod–Boynton’s Chromaticity Diagram 223

        9.6 CIE Standard Stockman]Sharpe’s ‘Physiologically Relevant’ Fundamentals and XYZ Reference Frame 224

        9.6.1 XFYFZF and XF,10YF,10ZF,10 Reference Frames 226

        9.6.2 MacLeod-Boynton’s Tristimulus Space and Chromaticity Diagram 229

        9.7 CIE Colorimetric Specification of Primary and Secondary Light Sources 232

        References 234

        10 Chromaticity Diagram from Newton to the CIE 1931 Standard System 237

        10.1 Introduction 237

        10.2 Newton and the Centre of Gravity Rule 237

        10.3 Material Colours and Impalpable Colours in the Eighteenth Century 243

        10.4 Physiological Intuitions and the Centre of Gravity Rule – Young, Grassmann, Helmholtz, Maxwell and Schrödinger 245

        10.5 Conclusion 251

        References 251

        11 CIE Standard Psychometric Systems 253

        11.1 Introduction to Psychometric Systems in Colour Vision 253

        11.2 CIE Lightness L* 254

        11.3 Psychometric Chromaticity Diagrams and Related Colour Spaces 255

        11.3.1 CIE 1960 (u, v) UCS Psychometric Chromaticity Diagram 255

        11.3.2 CIE 1964 (U*, V*, W*) Uniform Colour Space – CIEUVW Colour Space 257

        11.3.3 CIE 1976 (u′, v′) UCS Psychometric Chromaticity Diagram 257

        11.3.4 CIE 1976 (L*, u*, v*) Colour Space – CIELUV Colour Space 259

        11.3.5 CIE 1976 (L*, a*, b*) Colour Space – CIELAB Colour Space 261

        11.4 Colour Difference Specification 264

        11.4.1 Colour Difference Data 264

        11.4.2 CIE 1976 Colour]Difference Formulae 265

        11.4.3 CMC(l : c) Colour]Difference Formula 266

        11.4.4 CIE 1994 Colour]Difference Formula 267

        11.4.5 CIEDE2000 Total Colour]Difference Formula 268

        11.4.6 Small Colour Differences in OSA]UCS Space 270

        11.4.7 Metamerism Indices 270

        11.4.8 Daylight]Simulator Evaluation and ‘Special Metamerism Index: Change in Illuminant’ 273

        11.5 Conclusion 276

        References 276

        12 Instruments and Colorimetric Computation 279

        12.1 Introduction 279

        12.2 Reflection and Transmission Optical]Modulation 282

        12.2.1 Absolute Quantities of Optical]Modulation 282

        12.2.2 Relative Quantities of Optical]Modulation 283

        12.3 Spectroradiometric and Spectrophotometric Measurements 296

        12.3.1 Introduction to the Spectrometer 296

        12.3.2 Instrumental Convolution 303

        12.3.3 Deconvolution 308

        12.4 Colorimetric Calculations 309

        12.4.1 CIE Colour Specification 309

        12.4.2 Relative Colour Specification 310

        12.4.3 Deconvolution 312

        12.4.4 Interpolation 313

        12.4.5 Extrapolation 315

        12.5 Uncertainty in Colorimetric Measurements 315

        12.5.1 Laws of Propagation of Uncertainty 317

        12.5.2 Uncertainty Computation 318

        12.6 Physical Standards for Colour]Instrument Calibration 320

        References 322

        13 Basic Instrumentation for Radiometry, Photometry and Colorimetry 325

        13.1 Introduction 325

        13.2 Lighting Cabinet 327

        13.3 Visual Comparison Colorimeter 329

        13.4 Instruments with Power Spectral Weighting Measurement 330

        13.4.1 Photometric Instruments 330

        13.4.2 Colorimetric Instruments 332

        13.5 Instruments for Measurements with Spectral Analysis 336

        13.5.1 Spectroradiometer 336

        13.5.2 Spectrophotometer 337

        13.5.3 Multiangle Spectrophotometers 337

        13.5.4 Fibre]Optic]Reflectance Spectroscopy (FORS) 338

        13.6 Glossmeter 341

        13.7 Imaging Instruments 343

        13.7.1 Imaging Photometer 343

        13.7.2 Colorimetric Camera 344

        13.7.3 Multispectral and Hyperspectral Camera 344

        References 346

        14 Colour]Order Systems and Atlases 349

        14.1 Introduction 349

        14.2 Colour Solid, Optimal Colours and Full Colours 351

        14.2.1 MacAdam’s Limit 354

        14.3 Ostwald’s Colour]Order System and Atlas 354

        14.3.1 Ostwald’s Hue Circle with Temperate Scale 355

        14.3.2 Ostwald’s Semichrome 356

        14.3.3 Ostwald’s Blackness, Whiteness and Purity 357

        14.3.4 Ostwald’s Atlas 358

        14.4 Munsell’s Colour]Order System and Atlas 360

        14.4.1 Munsell’s Instruments 362

        14.4.2 Chromatic Tuning Fork 362

        14.4.3 Munsell’s Value and Grey Scale 364

        14.4.4 Munsell’s Hue 365

        14.4.5 Munsell’s Value in Coloured Scales 367

        14.4.6 Colour Sphere and Munsell’s Colour Specification 367

        14.4.7 Munsell’s Chroma 369

        14.4.8 Colour Tree 369

        14.4.9 Munsell’s System and CIE Chromaticity Specification 369

        14.4.10 Helmholtz-Kohlrausch’s Effect and Abney’s Hue Shift Phenomenon in the Munsell Atlas 371

        14.4.11 Munsell’s Colour Atlas 371

        14.5 DIN 6264’s Colour]Order System and Atlas 372

        14.6 OSA]UCS’s Colour]Order System and Atlas 374

        14.6.1 OSA]UCS’s Lightness 376

        14.6.2 OSA]UCS’s (g, j) Coordinates 377

        14.6.3 OSA]UCS’s Colour Difference Formula 379

        14.6.4 OSA]UCS’s Metrics 379

        14.7 NCS’s Colour]Order System and Atlas 380

        14.7.1 NCS’s Axioms 381

        14.7.2 NCS’s Hue, Chromaticness and Nuance 382

        14.7.3 Production of the NCS System and Visual Situation 384

        14.7.4 Psychophysics and Psychometrics for NCS 384

        14.7.5 Luminance Factor and NCS’s Whiteness Scale 385

        14.7.6 NCS’s Atlas 387

        References 387

        15 Additive Colour Synthesis in Images 391

        15.1 Introduction 391

        15.2 Video Colour Image 392

        15.2.1 RGB Colorimetry 395

        15.2.2 Video Signal and γ Correction 397

        15.2.3 Tristimulus Space and YIQ Reference Frame 401

        15.2.4 sRGB System 404

        15.2.5 Prints in the sRGB System 406

        15.2.6 Camera, Photo]Site and Pixel 406

        15.2.7 Spectral Sensitivities of Digital Cameras 409

        15.3 Principles of Halftone Printing 412

        15.4 Towards the Colorimetry of Appearance 419

        References 420

        16 Software (Software developed by Gabriele Simone) 423

        16.1 Introduction to the Software 423

        16.1.1 Software Installation 423

        16.1.2 Data Files 425

        16.2 Monitor 429

        16.2.1 Monitor Setup 429

        16.2.2 Visual Evaluation of Gamma (γ) 430

        16.3 Colour]Vision Tests 432

        16.4 Visual Contrast Phenomena 440

        16.4.1 Simultaneous Brightness Contrast and Crispening 440

        16.4.2 Simultaneous Brightness Contrast in Colour Scales 441

        16.4.3 Brightness and Chromatic Contrast 442

        16.4.4 After Image 442

        16.5 Colour Atlases 443

        16.5.1 Ostwald’s Atlas 444

        16.5.2 Munsell’s Atlas 444

        16.5.3 DIN’s Atlas 444

        16.5.4 OSA]UCS’ Atlas 446

        16.5.5 NCS’ Atlas 447

        16.6 CIE 1976 CIELUV and CIELAB Systems 448

        16.7 Cone Activation and Tristimulus 450

        16.8 CIE Colorimetry 451

        16.8.1 CIE Colour Specification 452

        16.8.2 CIE Systems 456

        16.8.3 Chromaticity Diagrams 459

        16.8.4 Fundamental Observers 462

        16.8.5 Dominant Wavelength and Purity 463

        16.8.6 Tristimulus Space Transformations 463

        16.8.7 Colour]Difference Formulae ΔE 464

        16.8.8 CIE 1974 Colour Rendering Index Ra 465

        16.9 Black Body and Daylight Spectra and Other CIE Illuminant Spectra 470

        16.10 Additive Colour Synthesis 471

        16.10.1 RGB Monitor, Additive Colour Mixture 472

        16.10.2 Halftone CMY Printing 472

        16.11 Subtractive Colorant Mixing 474

        16.11.1 Two Pigment Mixture 475

        16.11.2 Four Pigment Mixture 475

        16.12 Spectral Data View and Download – Illuminant-Observer Weights 478

        16.13 Save File Opening 478

        References 480

        Index 481

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