Description

Book Synopsis
Discusses how Chinese conceptions of nationalism were affected by the "discovery" of Hawaii as a centre of the Pacific, the Philippine revolution against the United States, and the relationship between nationality and ethnicity made apparent by the Boer War in South Africa.

Trade Review
Staging the World fundamentally challenges the conventional assumptions of late-nineteenth- and early-twentieth-century intellectual history and proposes a creative, alternative imagining of the historiography of modern China. This is a rare work of intellectual ambition and righteous moral sense.”—Lionel M. Jensen, author of Manufacturing Confucianism: Chinese Traditions and Universal Civilization
“Rebecca Karl not only explores an exciting period in Chinese intellectual history but also provides an alternative mapping of global relations based on a constellation of common subordinated nations. Those who, like me, are not specialists of Chinese history will find this vision of the world from below a refreshing revelation.”—Michael Hardt, author of Empire (with Antonio Negri)

Table of Contents
Preface & Acknowledgments
Part I

1. Introduction: Shifting Perspectives on Modern Chinese Nationalism
2. Staging the World
Part II
3. Deterritorializing Politics: The Pacific and Hawaii as Chinese National Space
4. Recognizing Colonialism: The Philippines and Revolution
5. Promoting the Ethnos: The Boer War and Discourses of the People
Part III
6. Performing on the World Stage in Asia
7. Re-creating China’s World
Conclusion
Appendix
Notes
Bibliography
Index

Staging the World Chinese Nationalism at the

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      Description

      Book Synopsis
      Discusses how Chinese conceptions of nationalism were affected by the "discovery" of Hawaii as a centre of the Pacific, the Philippine revolution against the United States, and the relationship between nationality and ethnicity made apparent by the Boer War in South Africa.

      Trade Review
      Staging the World fundamentally challenges the conventional assumptions of late-nineteenth- and early-twentieth-century intellectual history and proposes a creative, alternative imagining of the historiography of modern China. This is a rare work of intellectual ambition and righteous moral sense.”—Lionel M. Jensen, author of Manufacturing Confucianism: Chinese Traditions and Universal Civilization
      “Rebecca Karl not only explores an exciting period in Chinese intellectual history but also provides an alternative mapping of global relations based on a constellation of common subordinated nations. Those who, like me, are not specialists of Chinese history will find this vision of the world from below a refreshing revelation.”—Michael Hardt, author of Empire (with Antonio Negri)

      Table of Contents
      Preface & Acknowledgments
      Part I

      1. Introduction: Shifting Perspectives on Modern Chinese Nationalism
      2. Staging the World
      Part II
      3. Deterritorializing Politics: The Pacific and Hawaii as Chinese National Space
      4. Recognizing Colonialism: The Philippines and Revolution
      5. Promoting the Ethnos: The Boer War and Discourses of the People
      Part III
      6. Performing on the World Stage in Asia
      7. Re-creating China’s World
      Conclusion
      Appendix
      Notes
      Bibliography
      Index

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