Description
Book SynopsisThe cult of St. Ursula and the Eleven Thousand Virgin Martyrs of Cologne was the most widespread relic cult in medieval Europe. The sheer abundance of relics of the Eleven Thousand Virgins, which allowed for the display of immense collections, shaped the notion of corporate cohesion that characterized the cult. Though the primacy of St. Ursula as the leader of this holy band was established by the tenth century, she was conceived as the head of a corporate body. Innumerable inventories and liturgical texts attest to the fact that this cult was commemorated and referenced as a collective mass –
Undecim millium virginum. This group identity informed, and was formulated by, the presentation of their relics, as well as much of the imagery associated with this cult. This book explores the visual, textual, performative, and perceptual aspects of this phenomenon, with particular emphasis on painting and sculpture in late medieval Cologne. Examining the ways in which both texts and images worked as vestments, garbing the true core of relics which formed the body of the cult, the book examines the cult from the core outward, seeking to understand hagiographic texts and images in terms of their role in articulating relic cults.
Table of ContentsContents: Heads and Tales: Envisioning the Eleven Thousand Virgins of Cologne – An Archaeology of Texts and Bones: The Legend of the Eleven Thousand Virgins – Bones and More Bones: Relics and the Spread of the Cult –
Ecclesia sanctarum undecim milum virginum: The Church of the Eleven Thousand Virgins and its Decoration – The Face of Sanctity: Reliquary Busts of the Eleven Thousand Virgins – Golden Visions: Altarpieces with Relics – The Protective Mantle: The Holy Virgins as Patron Saints of Cologne – Picturing the Pilgrimage: Narrative Cycles in Cologne – A Peregrinatious Tale: Images and Narrative Cycles Beyond the Rhineland – Golden Bones: The
Goldene Kammer of St. Ursula and Early Modern Developments – From Slight to Light: Concluding Thoughts.
