Description
Book SynopsisA vividly rendered collection tracing the aftermath of a breakdown and the struggle to reconnect with the realities of daily life.
Trade Review"Subtle, reflective. . . . These diorama-like texts, which locate a range of human feelings in the sundry details of the everyday, are something of a contemporary
Book of Disquiet." -- Publishers Weekly
"In
Square Inch Hours Sherod Santos brilliantly negotiates the provinces of poetry and prose, of imagination and memoir, in devastating documents that range from fragments to sustained prose sequences. These are the lyrics of breakdown—of shock and aftershock—in coming face-to-face with dread and the depths of one’s own soul. At times piercing, at times as if anesthetized, Santos’s new work approaches the truths of love, death, family, sorrow. . . . As enigmatic as Borges, and beautiful in a way only Santos can be." -- David Baker
"This is an immense book. Read its calm, its deeply crafted poise, in a single sitting, and you’ll finish absolutely breathless. Read it again, slowly, over a longer period of time, meditatively, and vistas will burst open. In distress, in disruption, in damage, out of elegy, there is renewal. I have never read a work quite like it, and every time I come up with a literary comparison, I realize it doesn’t hold, because Sherod Santos has produced a work entirely unique, in which literary, philosophical, and filmic references exist as extensions of the moment. These prose poems and aphorisms, these lyrical narratives, unfold exponentially. This truly is a work much greater than the sum of any parts. Stunning." -- John Kinsella
"There are seraphim and scars, fog and Fellini in this brilliant collection, where the incisive, rhythmic imagery of poetry meets the depth and narrative of fiction. Every page evokes and invites the reader to see more clearly, to imagine more wildly, to read and to breathe more deeply." -- Amy Bloom
"This is a book of observation, a catalog of urban surfaces and psychological detachment—as if suddenly Camus’s Stranger started to walk in the Chicago streets. Sherod Santos’s brilliant literary experiment." -- Adam Zagajewski
