Description

Book Synopsis

Speculative Film and Moving Images by or about Black Women and Girls: Watch It! examines depictions of African-descended women and girls in twentieth and twenty-first century speculative filmmaking. Topics include a discursive analysis of stereotypes; roles garnered by Halle Berry, the only Black woman to receive an Oscar for Best Actress; the promise of characters, relationships and scripts found in works ranging from Altered Carbon, Lovecraft Country, and HBO’s Watchmen series; anda closing chapter that considers the legacy of Black women in Horror. Jeffrey illustrates the ways in which recent texts link this Sci-Fi genre to the trauma endured by people of African descent in the United States of America. In doing so, this book provides a compelling interpretation of popular, prevalent, and recurring images of Black women and girls in American Popular Culture.



Trade Review

This project fulfills its promise, as stated by author Karima Jeffrey-Legette, “to discuss works by and about Black women and girls as they dynamically explore, write about, and/or appear in Speculative Fiction.” Jeffrey-Legette aptly “rights” “…the (mis)representation of Black women/girls in these imagined spaces that entertain” through a thorough review of various fictional works. The judicious use of reference material, across multiple genres such as film and television, literature, and streaming videos in Volume I supports Jeffrey-Legette’s critical reflections and analyses on the imagined Black/Brown body/human/humanoid in future and alternative contexts. This contextualization of various works of speculative fiction within an African-centered framework, brings a thoughtful, necessary, and critical lens to understanding the “Black images [that] are quite pervasive in the rendering of the speculative today.” It is also a project that complements earlier foundational work like Thomas’ Dark Matter and brings into sharp relief how the absence and marginalizing of Black and Brown women and girls as we imagine the future is not only misrepresentation on a large-scale but actually unimaginative and lacking in creativity in some cases. As a scholar and educator, I can confidently assert that, Black Girls Right the Future is a must have for anyone engaged in writing about, writing on, or simply enjoying speculative fiction today, especially work that features Black women and girls.

-- Valerie Johnson, Shaw University

Table of Contents

Chapter One: Mothers of a New World in Select 20th/21st Century Apocalyptic SF Films Who, Despite Their Promise, Still Appear to be a Mammy, Hagar, or Jezebels

Chapter Two: ‘Ode to Halle’ (But Should This be the Case?): The Face of Black Women in SF Films

Chapter Three: Black Love in the World of Speculative Fiction - An Argument for ‘Transhumanism' and ‘Gynocentric Androgyny' in Altered Carbon, HBO’s Watchmen and Lovecraft Country

Chapter Four: Black Girl Magic’ in A Wrinkle in Time, The Darkest Minds, and Fast Color - Fascinating Telekinetic/Telepathic Beings

Chapter Five: What Are We Doing to Our Girls?!?!?-An Examination of Three, Twentieth/Twenty-First Century Black Girl Vampires Who Will Not Only Survive but Possibly Precipitate the Destruction of Humanity

Chapter Six: Black Women/Girls in Horror Films-H[er]story is an American Gothic Story of Resiliency, Trauma, Abuse, and Fear

Speculative Film and Moving Images by or about

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    Order before 4pm today for delivery by Sat 27 Jun 2026.

    A Hardback by Karima K. Jeffrey-Legette, Hoda M. Zaki, Trudier Harris

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      View other formats and editions of Speculative Film and Moving Images by or about by Karima K. Jeffrey-Legette

      Publisher: Lexington Books
      Publication Date: 31/01/2023
      ISBN13: 9781793627032, 978-1793627032
      ISBN10: 1793627037

      Description

      Book Synopsis

      Speculative Film and Moving Images by or about Black Women and Girls: Watch It! examines depictions of African-descended women and girls in twentieth and twenty-first century speculative filmmaking. Topics include a discursive analysis of stereotypes; roles garnered by Halle Berry, the only Black woman to receive an Oscar for Best Actress; the promise of characters, relationships and scripts found in works ranging from Altered Carbon, Lovecraft Country, and HBO’s Watchmen series; anda closing chapter that considers the legacy of Black women in Horror. Jeffrey illustrates the ways in which recent texts link this Sci-Fi genre to the trauma endured by people of African descent in the United States of America. In doing so, this book provides a compelling interpretation of popular, prevalent, and recurring images of Black women and girls in American Popular Culture.



      Trade Review

      This project fulfills its promise, as stated by author Karima Jeffrey-Legette, “to discuss works by and about Black women and girls as they dynamically explore, write about, and/or appear in Speculative Fiction.” Jeffrey-Legette aptly “rights” “…the (mis)representation of Black women/girls in these imagined spaces that entertain” through a thorough review of various fictional works. The judicious use of reference material, across multiple genres such as film and television, literature, and streaming videos in Volume I supports Jeffrey-Legette’s critical reflections and analyses on the imagined Black/Brown body/human/humanoid in future and alternative contexts. This contextualization of various works of speculative fiction within an African-centered framework, brings a thoughtful, necessary, and critical lens to understanding the “Black images [that] are quite pervasive in the rendering of the speculative today.” It is also a project that complements earlier foundational work like Thomas’ Dark Matter and brings into sharp relief how the absence and marginalizing of Black and Brown women and girls as we imagine the future is not only misrepresentation on a large-scale but actually unimaginative and lacking in creativity in some cases. As a scholar and educator, I can confidently assert that, Black Girls Right the Future is a must have for anyone engaged in writing about, writing on, or simply enjoying speculative fiction today, especially work that features Black women and girls.

      -- Valerie Johnson, Shaw University

      Table of Contents

      Chapter One: Mothers of a New World in Select 20th/21st Century Apocalyptic SF Films Who, Despite Their Promise, Still Appear to be a Mammy, Hagar, or Jezebels

      Chapter Two: ‘Ode to Halle’ (But Should This be the Case?): The Face of Black Women in SF Films

      Chapter Three: Black Love in the World of Speculative Fiction - An Argument for ‘Transhumanism' and ‘Gynocentric Androgyny' in Altered Carbon, HBO’s Watchmen and Lovecraft Country

      Chapter Four: Black Girl Magic’ in A Wrinkle in Time, The Darkest Minds, and Fast Color - Fascinating Telekinetic/Telepathic Beings

      Chapter Five: What Are We Doing to Our Girls?!?!?-An Examination of Three, Twentieth/Twenty-First Century Black Girl Vampires Who Will Not Only Survive but Possibly Precipitate the Destruction of Humanity

      Chapter Six: Black Women/Girls in Horror Films-H[er]story is an American Gothic Story of Resiliency, Trauma, Abuse, and Fear

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