Description

Book Synopsis
Speculative Epistemologies is about truth effects in sf, which stands for both science fiction and speculative fiction. It examines six narratives, one from each decade from the 1960s to the 2010s, that challenge dominant assumptions about the normal, the possible, and the real. It asks what the patterns of overlap and interference generated by texts located in border territories that make their identification as sf problematic, and sometimes controversial, can reveal about the dynamics of sf’s multiple subcultures (e.g. professionals, academics, and fans); the complexity of the genre’s communities of practice and their routes of production, distribution, and reception; and the genre’s shifting position within a broadly conceived field of literary and cultural production. The “speculative epistemologies” in these stories are counter-hegemonic ways of knowing, ways of imagining knowing differently, and the focus of this study is their effect on the formation of identities and communities. Combining the methods of genre theory, reception theory, and the sociology of cultural production, the readings of these six narratives trace a history of sf’s increasingly feminist, racially and ethnically diverse, philosophically ambitious, and politically engaged character from the 1960s to the present.

Trade Review

“A new book by John Rieder is an event, and Speculative Epistemologies delivers. It is, exactly as its title promises, ‘eccentric,’ in the best possible sense reorienting science fiction studies to unconventional vistas, alternate possibilities, and roads not taken. It’s not to be missed.”

Gerry Canavan, Marquette University


‘In Speculative Epistemologies… [Rieder] displays his uncanny knack for spotting those things bobbing and flickering in the corner of sf studies’ eye, of gathering them together and placing them center stage, and of saying things about sf that immediately strike you as obvious and true—but only after he has said them.’ Mark Bould, Science Fiction Studies


'Speculative Epistemologies is a reminder of Rieder's expertise and a concerted investigation into the grand narrative of sf via some of its minor literature… More of us should be producing "eccentric" scholarship of this nature in an effort to spark new coversations about sf from voices that can get lost in the shadow of history.' D. Harlan Wilson


"Rieder’s reputation as a wide and generous reader precedes him, and the chapters devoted to each work in this book are testament to a body of knowledge and experience that puts my own to shame. What I can say with certainty is that he provides ample reason to seek out the stories I haven’t read, and to return to those I have.' Paul Graham Raven, SFRA Review "



Table of Contents
1. SF, Disciplinary Knowledge, and Mass Culture 2. The Canonical Marginality of Pamela Zoline’s “The Heat Death of the Universe”3. How Leslie Marmon Silko’s Ceremony Became SF4. Power and the Proper Fiction in Samuel R. Delany’s “The Tale of Plagues and Carnivals”5. Theodore Roszak’s The Memoirs of Elizabeth Frankenstein and the Feminist Critique of Science6. Albert Wendt’s Postcolonial Wonderwork: The Adventures of Vela7. What Kind of Genre Fiction Is This? Donna Haraway’s “The Camille Stories”8. Conclusion: Truth and SF in 2020

Speculative Epistemologies: An Eccentric Account

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    A Paperback / softback by John Rieder

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      View other formats and editions of Speculative Epistemologies: An Eccentric Account by John Rieder

      Publisher: Liverpool University Press
      Publication Date: 01/03/2023
      ISBN13: 9781802077810, 978-1802077810
      ISBN10: 1802077812

      Description

      Book Synopsis
      Speculative Epistemologies is about truth effects in sf, which stands for both science fiction and speculative fiction. It examines six narratives, one from each decade from the 1960s to the 2010s, that challenge dominant assumptions about the normal, the possible, and the real. It asks what the patterns of overlap and interference generated by texts located in border territories that make their identification as sf problematic, and sometimes controversial, can reveal about the dynamics of sf’s multiple subcultures (e.g. professionals, academics, and fans); the complexity of the genre’s communities of practice and their routes of production, distribution, and reception; and the genre’s shifting position within a broadly conceived field of literary and cultural production. The “speculative epistemologies” in these stories are counter-hegemonic ways of knowing, ways of imagining knowing differently, and the focus of this study is their effect on the formation of identities and communities. Combining the methods of genre theory, reception theory, and the sociology of cultural production, the readings of these six narratives trace a history of sf’s increasingly feminist, racially and ethnically diverse, philosophically ambitious, and politically engaged character from the 1960s to the present.

      Trade Review

      “A new book by John Rieder is an event, and Speculative Epistemologies delivers. It is, exactly as its title promises, ‘eccentric,’ in the best possible sense reorienting science fiction studies to unconventional vistas, alternate possibilities, and roads not taken. It’s not to be missed.”

      Gerry Canavan, Marquette University


      ‘In Speculative Epistemologies… [Rieder] displays his uncanny knack for spotting those things bobbing and flickering in the corner of sf studies’ eye, of gathering them together and placing them center stage, and of saying things about sf that immediately strike you as obvious and true—but only after he has said them.’ Mark Bould, Science Fiction Studies


      'Speculative Epistemologies is a reminder of Rieder's expertise and a concerted investigation into the grand narrative of sf via some of its minor literature… More of us should be producing "eccentric" scholarship of this nature in an effort to spark new coversations about sf from voices that can get lost in the shadow of history.' D. Harlan Wilson


      "Rieder’s reputation as a wide and generous reader precedes him, and the chapters devoted to each work in this book are testament to a body of knowledge and experience that puts my own to shame. What I can say with certainty is that he provides ample reason to seek out the stories I haven’t read, and to return to those I have.' Paul Graham Raven, SFRA Review "



      Table of Contents
      1. SF, Disciplinary Knowledge, and Mass Culture 2. The Canonical Marginality of Pamela Zoline’s “The Heat Death of the Universe”3. How Leslie Marmon Silko’s Ceremony Became SF4. Power and the Proper Fiction in Samuel R. Delany’s “The Tale of Plagues and Carnivals”5. Theodore Roszak’s The Memoirs of Elizabeth Frankenstein and the Feminist Critique of Science6. Albert Wendt’s Postcolonial Wonderwork: The Adventures of Vela7. What Kind of Genre Fiction Is This? Donna Haraway’s “The Camille Stories”8. Conclusion: Truth and SF in 2020

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