Description
Book SynopsisIn classical and early modern rhetoric, to write or speak using the voice of a dead individual is known as eidolopoeia. Whether through ghost stories, journeys to another world, or dream visions, Renaissance writers frequently used this rhetorical device not only to co-opt the authority of their predecessors but in order to express partisan or politically dangerous arguments.
In Speaking Spirits, Sherry Roush presents the first systematic study of early modern Italian eidolopoeia. Expanding the study of Renaissance eidolopoeia beyond the well-known cases of the shades in Dante’s Commedia and the spirits of Boccaccio’s De casibus vivorum illustrium, Roush examines many other appearances of famous ghosts – invocations of Boccaccio by Vincenzo Bagli and Jacopo Caviceo, Girolamo Malipiero’s representation of Petrarch in Limbo, and Girolamo Benivieni’s ghostly voice of Pico della Mirandola. Through
Trade Review
'Roush's rich study adds much to our understanding of the dynamics of literary authority, showing how authors can simultaneously worship their forbears while exploiting their power to sometimes contrary ends.' -- George McClure Renaissance Quarterly vol 69:02:2016 'With a wealth of material to sustain the focus of her exploration and the clarity of style in which she presents the fruit of her research, Roush's most recent volume merits a place on the shelf of any Renaissance or Medieval Italianst's library.' -- Carlo Anneli Annali D'Italianistica vol 35:2016
Table of Contents
Introduction 1. Rewriting the Auctor: Revising according to the Text's Letter or Spirit? 2. Divining Dante: Scandals of His Corpus and Corpse 3. Genius Loci: Exile, Citizenship, and the Place of Burial 4. Habeas Corpus, Habeas Spiritum: Some (Not-So-) Final Thoughts
