Description

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Trade Review

Always at the chalk face when it comes to teaching key signatures, finger patterns, and other reading or technical problems, M Cohen has again come to the rescue over the matter of the varying position of the second finger …..main purpose of the book is to help grade 1+ violinists hear and understand how finger patterns need to change if a tune is to sound the same when played up or down an octave.....Fingerboard maps, using stars to indicate the finger-spacing provide additional visual reinforcement of the concept of tones and semitones. In addition, and by way of contrast, Cohen has also provided ideas for improvising and making sound effects which relate to the songs to be played, so for What shall we do with the drunken sailor, moving the bow across the open strings and back, is suggested for a storm, and glissandi for wind in the sails. Dynamics, harmonics, tongue-clicking etc, also feature in the sound-effect files, while helpful alien figures label or point to the correct finger position, and issue seven challenges to players on the last page. Just the ticket for an easy ride through this stage of violin playing.

Music Teacher Magazine

Space It Introduction To 2nd Finger Spacing

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    £9.56

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    Order before 4pm today for delivery by Thu 2 Jul 2026.

    A Paperback / softback by Mary Cohen

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      View other formats and editions of Space It Introduction To 2nd Finger Spacing by Mary Cohen

      Publisher: Faber Music Ltd
      Publication Date: 21/05/1998
      ISBN13: 9780571518067, 978-0571518067
      ISBN10: 0571518060

      Description

      Book Synopsis


      Trade Review

      Always at the chalk face when it comes to teaching key signatures, finger patterns, and other reading or technical problems, M Cohen has again come to the rescue over the matter of the varying position of the second finger …..main purpose of the book is to help grade 1+ violinists hear and understand how finger patterns need to change if a tune is to sound the same when played up or down an octave.....Fingerboard maps, using stars to indicate the finger-spacing provide additional visual reinforcement of the concept of tones and semitones. In addition, and by way of contrast, Cohen has also provided ideas for improvising and making sound effects which relate to the songs to be played, so for What shall we do with the drunken sailor, moving the bow across the open strings and back, is suggested for a storm, and glissandi for wind in the sails. Dynamics, harmonics, tongue-clicking etc, also feature in the sound-effect files, while helpful alien figures label or point to the correct finger position, and issue seven challenges to players on the last page. Just the ticket for an easy ride through this stage of violin playing.

      Music Teacher Magazine

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