Description

Book Synopsis
We cannot simply listen to our urban past. Yet we encounter a rich cultural heritage of city sounds presented in text, radio and film. How can such "staged sounds" express the changing identities of cities? This volume presents a collection of studies on the staging of Amsterdam, Berlin and London soundscapes in historical documents, radio plays and films, and offers insights into themes such as film sound theory and museum audio guides. In doing so, this book puts contemporary controversies on urban sound in historical perspective, and contextualises iconic presentations of cities. It addresses academics, students, and museum workers alike. With contributions by Jasper Aalbers, Karin Bijsterveld, Carolyn Birdsall, Ross Brown, Andrew Crisell, Andreas Fickers, Annelies Jacobs, Evi Karathanasopoulou, Patricia Pisters, Holger Schulze, Mark M. Smith and Jonathan Sterne.

Trade Review
"An important compendium for dealing with questions concerning the study of urban soundscapes." Stefan Drees, Die Musikforschung [German quarterly musicological journal published by the German Society for Music Research], 62/1 (2015) "Recommended to connoisseurs who wish to broaden their perspective with the insights of the media studies as well as socio-cultural and/or historiographical perspectives on sound." Jan Wedekind, DIE TONKUNST [German quarterly journal for classical music and musicology], 8/2 (2014) Reviewed in: H-Net-Reviews, 6 (2014), Andrew Behrendt

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    A Paperback / softback by Karin Bijsterveld

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      Publisher: Transcript Verlag
      Publication Date: 15/03/2013
      ISBN13: 9783837621792, 978-3837621792
      ISBN10: 3837621790

      Description

      Book Synopsis
      We cannot simply listen to our urban past. Yet we encounter a rich cultural heritage of city sounds presented in text, radio and film. How can such "staged sounds" express the changing identities of cities? This volume presents a collection of studies on the staging of Amsterdam, Berlin and London soundscapes in historical documents, radio plays and films, and offers insights into themes such as film sound theory and museum audio guides. In doing so, this book puts contemporary controversies on urban sound in historical perspective, and contextualises iconic presentations of cities. It addresses academics, students, and museum workers alike. With contributions by Jasper Aalbers, Karin Bijsterveld, Carolyn Birdsall, Ross Brown, Andrew Crisell, Andreas Fickers, Annelies Jacobs, Evi Karathanasopoulou, Patricia Pisters, Holger Schulze, Mark M. Smith and Jonathan Sterne.

      Trade Review
      "An important compendium for dealing with questions concerning the study of urban soundscapes." Stefan Drees, Die Musikforschung [German quarterly musicological journal published by the German Society for Music Research], 62/1 (2015) "Recommended to connoisseurs who wish to broaden their perspective with the insights of the media studies as well as socio-cultural and/or historiographical perspectives on sound." Jan Wedekind, DIE TONKUNST [German quarterly journal for classical music and musicology], 8/2 (2014) Reviewed in: H-Net-Reviews, 6 (2014), Andrew Behrendt

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