Description

Book Synopsis

Covering every phase of a theatrical production, this fourth edition of Sound and Music for the Theatre traces the process of sound design from initial concept through implementation in actual performances.

The book discusses the early evolution of sound design and how it supports the play, from researching sources for music and effects, to negotiating a contract. It shows you how to organize the construction of the sound design elements, how the designer functions in a rehearsal, and how to set up and train an operator to run sound equipment. This instructive information is interspersed with âwar storesâ describing real-life problems with solutions that you can apply in your own work, whether youâre a sound designer, composer, or sound operator.



Trade Review

"James LeBrecht and Deena Kaye have written the most practical, broad-minded, useful book on sound in the theatre that has, to my knowledge, ever been published in English…. It is a book that every sound designer needs to have; it is a book that every theatre person would enjoy and profit from."

-Oskar Eustis, Artistic Director at The Public Theater



Table of Contents

Contents

Foreword by Peter Sellars

Preface to the First Edition

Preface to the Second Edition

Preface to the Third Edition

Preface to the Fourth Edition

Introduction to the First and Second Edition by Richard Peaslee

Introduction to the Third Edition by Mark Lamos

Introduction to the Fourth Edition by Oskar Eustis

Acknowledgments

The Art of Looking with the Ear by Tazewell Thompson

1. The Evolution of Sound Design

2. The Foundation of Sound Design

3. Developing the Concept and Design

4. Research, Resources, and Selection

5. The Sound Plot Magic Sheets and Other Paperwork

6. Working with the Theatre Company

7. Preparing to Build the Cues

8. Building the Show

9. Rehearsals

10. Running the Show

11. Approaches and Techniques

Feedback: A Directors’ and Playwrights’ Forum

More Feedback: A Sound Designers’ and Composers’ Forum

No More Feedback: A Sound Reinforcement Forum

Sound Off: A Sound Operators’ and Stage Managers’ Forum

Appendix: Sounds Procedures Checklist

Glossary

Index

Please visit our Facebook Group: Sound and Music for the Theatre

Sound and Music for the Theatre

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    £999.99

    Includes FREE delivery

    A Paperback by Deena Kaye, James LeBrecht

    Out of stock

      Trusted by thousands of customers. See 2,385+ Customer Reviews

      View other formats and editions of Sound and Music for the Theatre by Deena Kaye

      Publisher: Taylor & Francis Ltd (Sales)
      Publication Date: 10/5/2015 12:00:00 AM
      ISBN13: 9781138023437, 978-1138023437
      ISBN10: 1138023434

      Description

      Book Synopsis

      Covering every phase of a theatrical production, this fourth edition of Sound and Music for the Theatre traces the process of sound design from initial concept through implementation in actual performances.

      The book discusses the early evolution of sound design and how it supports the play, from researching sources for music and effects, to negotiating a contract. It shows you how to organize the construction of the sound design elements, how the designer functions in a rehearsal, and how to set up and train an operator to run sound equipment. This instructive information is interspersed with âwar storesâ describing real-life problems with solutions that you can apply in your own work, whether youâre a sound designer, composer, or sound operator.



      Trade Review

      "James LeBrecht and Deena Kaye have written the most practical, broad-minded, useful book on sound in the theatre that has, to my knowledge, ever been published in English…. It is a book that every sound designer needs to have; it is a book that every theatre person would enjoy and profit from."

      -Oskar Eustis, Artistic Director at The Public Theater



      Table of Contents

      Contents

      Foreword by Peter Sellars

      Preface to the First Edition

      Preface to the Second Edition

      Preface to the Third Edition

      Preface to the Fourth Edition

      Introduction to the First and Second Edition by Richard Peaslee

      Introduction to the Third Edition by Mark Lamos

      Introduction to the Fourth Edition by Oskar Eustis

      Acknowledgments

      The Art of Looking with the Ear by Tazewell Thompson

      1. The Evolution of Sound Design

      2. The Foundation of Sound Design

      3. Developing the Concept and Design

      4. Research, Resources, and Selection

      5. The Sound Plot Magic Sheets and Other Paperwork

      6. Working with the Theatre Company

      7. Preparing to Build the Cues

      8. Building the Show

      9. Rehearsals

      10. Running the Show

      11. Approaches and Techniques

      Feedback: A Directors’ and Playwrights’ Forum

      More Feedback: A Sound Designers’ and Composers’ Forum

      No More Feedback: A Sound Reinforcement Forum

      Sound Off: A Sound Operators’ and Stage Managers’ Forum

      Appendix: Sounds Procedures Checklist

      Glossary

      Index

      Please visit our Facebook Group: Sound and Music for the Theatre

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