Description
Book SynopsisLucy Cathcart Frödén is a researcher, linguist and community artist, working primarily in music and sound. She is interested in creative collaboration across boundaries, and how the act of making things together can foster solidarity and care. She has published textual and audio work in fields including criminology, artistic research, sound studies and political science. She completed her PhD at the University of Glasgow, UK and is currently Postdoctoral Research Fellow at the University of Oslo, Norway.
Kate Herrity is Research Fellow in Punishment at Kings College, University of Cambridge, UK. A criminologist, her work seeks to unsettle boundaries between fields and ideas with a focus on music, sound and critical listening. Her monograph Sound, Order and Survival in Prison drew on aural ethnography in a local men's prison. She is currently completing an International Handbook of Sensory Criminology with colleagues Kanupriya Sharma, Janani Umamaheswar and Jason Warr, scheduled for release in 2025.
Áine Mangaoang is Associate Professor at the Department of Musicology, University of Oslo, Norway, and Principal Investigator for the international, interdisciplinary project Prisons of Note, funded by the Norwegian Research Council. Her books include Dangerous Mediations: Pop Music in a Philippine Prison Video, winner of the IASPM-US Woody Guthrie Book Prize, and Made in Ireland: Studies in Popular Music. Recent writing appears in the Journal for the Society for Musicology in Ireland, and Musicæ Scientiæ.
